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Drama & Plays

13 BY SHANLEY

13 BY SHANLEY

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Thirteen plays by the Oscar-winning author of Moonstruck. Includes: "The Big Funk " "Savage in Limbo " "Danny & The Deep Blue Sea " "Welcome to the Moon " "The Red Coat " "Down & Out " "Let Us Go Out Into the Starry Night " "Out West " "A Lonely Impulse of Delight " "Women of Manhattan " "The Dreamer Examines His Pillow " "Italian-American Reconciliation " and "Beggars in the House of Plenty." Also includes an introduction by the author.
2 TRAINS RUNNING

2 TRAINS RUNNING

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August Wilson surged to the forefront of American playwrights with the success of such critically acclaimed plays as Ma Rainey's Black Bottom and Joe Turner's Come and Gone, as well as his Pulitzer Prize winners Fences and The Piano Lesson. Now, with Two Trains Running, which Time magazine hailed as "his most mature work to date, " he offers another mesmerizing chapter in his remarkable cycle of plays about the black experience in twentieth-century America. It is Pittsburgh, 1969. The regulars of Memphis Lee's restaurant are struggling to cope with the turbulence of a world that is changing rapidly around them and fighting back when they can. As the play unfolds, Memphis's diner - and the rest of his block - is scheduled to be torn down, a casualty of the city's renovation project that is sweeping away the buildings of a community, but not its spirit. The rich undertaker across the street encourages Memphis to accept his offer to buy the place from him at a reduced price, but Memphis stands his ground, determined to make the city pay him what the property is worth, refusing to be swindled out of his land as he was years before in Mississippi. Into this fray come Sterling, the ex-con who embraces the tenets of Malcolm X; Wolf, the bookie who has learned to play by the white man's rules; Risa, a waitress of quiet dignity who has mutilated her legs to distance herself from men; and Holloway, the resident philosopher and fervent believer in the prophecies of a legendary 322-year-old woman down the street, a reminder of their struggle and heritage. And just as sure as an inexorable future looms right around the corner, these people of "loud voices and big hearts" continue to search, tofalter, to hope that they can catch the train that will make the difference. With compassion, humor, and a superb sense of place and time, Wilson paints a vivid portrait of everyday lives in the shadow of great events, and of unsung men and women who are anything but ordinary.
4 GRT TRAGEDIES REV/E

4 GRT TRAGEDIES REV/E

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The greatest tragic plays of William Shakespeare--including Hamlet, Othello, King Lear, and Macbeth.

What is tragedy? The Elizabethans defined it as a "lofty" play showing "personages of great state" caught up in a "lamentable" action that "beginneth prosperously and endeth unfortunately." Whether judged by this or any other standard, the plays selected for this collection are considered to be the four central works of Shakespearean tragedy and must be included in any list of the world's finest tragic literature. And to make these plays more accessible for the modern reader, this edition includes the following special features:

- Reliable texts by noted Shakespeare scholars
- Texts printed in the clearest, most readable type
- Names of each speaker given in full
- Detailed footnotes at the bottom of each page keyed to the numbered lines of the text
- Textual notes
- Updated bibliography

6 CHARACTERS IN SEARCH OF AN A

6 CHARACTERS IN SEARCH OF AN A

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Robert Brustein's highly acclaimed adaption of Pirandello's masterpiece, a study in illusion and reality which follows a group of characters who try to fashion their life stories into acceptable drama. Plays for Performance Series.
ALL MY SONS

ALL MY SONS

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A Penguin Classic

Joe Keller and Steve Deever, partners in a machine shop during World War II, turned out defective airplane parts, causing the deaths of many men. Deever was sent to prison while Keller escaped punishment and went back to business, making himself very wealthy in the ensuing years. In Miller's work of tremendous power, a love affair between Keller's son, Chris, and Ann Deever, Steve's daughter, the bitterness of George Keller, who returns from the war to find his father in prison and his father's partner free, and the reaction of a son to his father's guilt escalate toward a climax of electrifying intensity.

Winner of the Drama Critics' Award for Best New Play in 1947, All My Sons established Arthur Miller as a leading voice in the American theater. All My Sons introduced themes that thread through Miller's work as a whole: the relationships between fathers and sons and the conflict between business and personal ethics. This edition features an introduction by Christopher Bigsby.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

ALLS WELL THAT ENDS WELL

ALLS WELL THAT ENDS WELL

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Shakespeare's All's Well That Ends Well is the story of its heroine, Helen, more so than the story of Bertram, for whose love she yearns. Helen wins Bertram as her husband despite his lack of interest and higher social standing, but she finds little happiness in the victory as he shuns, deserts, and attempts to betray her.

The play suggests some sympathy for Bertram. As a ward to the French king, he must remain at court while his friends go off to war and glory. When Helen cures the King, he makes Bertram available to her. To exert any control over his life, Bertram goes to war in Italy.

Helen then takes the initiative in furthering their marriage, undertaking an arduous journey and a daring trick. Few today, however, see a fairy-tale ending.

The authoritative edition of All's Well That Ends Well from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:

-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play's famous lines and phrases
-An introduction to reading Shakespeare's language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library's vast holdings of rare books
-An annotated guide to further reading

Essay by David McCandless

The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

AMADEUS

AMADEUS

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Amadeus is the most talked about play in many years. In England it won both the Evening Standard Drama Award and the Theatre Critics Award for the best play of the year.aAmadeus is the story of Salieri's war against God for making him mediocre, for implanting in him a desire to serve as a composer and then making his service seem shameful in his own ears. The play is centrally concerned with divine unfairness and man's unforgiving rage at it.aThe play gives us a portrait of Mozart (based on great research) which should destroy the popular image of that composer as a delicate porcelain infant seated at a porcelain keyboard. Shaffer's Mozart is a human being silly, scatological, irrepressible and in many ways infuriating but always-to his last breath-the instrument of an unwearying God.

ANNA IN THE TROPICS

ANNA IN THE TROPICS

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Winner of the 2003 Pulitzer Prize for Drama

. . . there are many kinds of light.
The light of fires. The light of stars.
The light that reflects off rivers.
Light that penetrates through cracks.
Then there's the type of light that reflects off the skin.

--Nilo Cruz, Anna in the Tropics

This lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of Depression-era America. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy's Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.

Reviews:
"The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."--Miami Herald

"Deeply engrossing." -Robert Hurwitt, San Francisco Chronicle

"Earnestly poetic...Mr. Cruz has created a work as wistful and affectingly ambitious as its characters. Anna in the Tropics reaches for the artistic heavens -- specifically, that corner of eternity occupied by the plays of Anton Chekhov, where yearning is an existential condition." -Ben Brantley, New York Times

Nilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States, including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, and Anna in the Tropics (Winner of 2003 Pulitzer Prize). Mr. Cruz teaches playwriting at Yale University and lives in New York City.

ANTONY & CLEOPATRA

ANTONY & CLEOPATRA

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Antony and Cleopatra dramatizes a major event in world history: the founding of the Roman Empire. The future first emperor, Octavius Caesar (later called Augustus Caesar), cold-bloodedly manipulates other characters and exercises iron control over himself.

At first, he shares power with Mark Antony, Rome's preeminent military leader, and the weaker Lepidus. Caesar needs Antony to fend off other Roman strongmen like Pompey; he even offers his sister Octavia to him as a bride, despite Antony's reputation as a libertine and his past rivalry with Caesar. Once Caesar defeats Pompey, however, he needs no allies. He brings charges against Lepidus, denies Antony his spoils from Pompey's defeat, and seizes cities in the eastern Roman colonies that Antony rules.

The play's emphasis, however, is on those whom Caesar defeats: Antony and his wealthy Egyptian ally, Queen Cleopatra. The play does not sugarcoat Antony and Cleopatra's famous love affair, including her calculated attempts to seduce Antony from his duties and his rage when he thinks she has betrayed him to Caesar. Nonetheless, the lovers find such sensual and emotional satisfaction that Caesar's world conquest seems smaller than what they find in each other.

The authoritative edition of Antony and Cleopatra from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:

-Freshly edited text based on the best early printed version of the play

-Full explanatory notes conveniently placed on pages facing the text of the play

-Scene-by-scene plot summaries

-A key to the play's famous lines and phrases

-An introduction to reading Shakespeare's language

-An essay by a leading Shakespeare scholar providing a modern perspective on the play

-Fresh images from the Folger Shakespeare Library's vast holdings of rare books

-An annotated guide to further reading

Essay by Cynthia Marshall

The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

ARCADIA

ARCADIA

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"It is a defect of God's humor that he directs our hearts everywhere but to those who have a right to them."--Tom Stoppard, Arcadia

In a large country house in Derbyshire in April 1809 sits Lady Thomasina Coverly, aged thirteen, and her tutor, Septimus Hodge. Through the window may be seen some of the "five hundred acres inclusive of lake" where Capability Brown's idealized landscape is about to give way to the Gothic style: "everything but vampires," as the garden historian Hannah Jarvis remarks to Bernard Nightingale when they stand in the same room 180 years later. Bernard has arrived to uncover the scandal which is said to have taken place when Lord Byron stayed at Sidley Park. Tom Stoppard's masterful play takes us back and forth between the centuries and explores the nature of truth and time, the difference between the Classical and the Romantic temperament, and the disruptive influence of sex on our orbits in life--"the attraction," as Hannah says, "which Newton left out."

A play about sex and entropy!

This play is a witty reflection on relationships mixed masterfully with philosophical reflections on epistemology and disorder.

-Aaron

ARTAUD ANTHOLOGY

ARTAUD ANTHOLOGY

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"I am the man," wrote Artaud, "who has best charted his inmost self." Antonin Artaud was a great poet who, like Poe, Holderlin, and Nerval, wanted to live in the infinite and asked that the human spirit burn in absolute freedom.

To society, he was a madman. Artaud, however, was not insane but in luciferian pursuit of what society keeps hidden. The man who wrote Van Gogh the Man Suicided by Society raged against the insanity of social institutions with insight that proves more prescient with every passing year. Today, as Artaud's vatic thunder still crashes above the "larval confusion" he despised, what is most striking in his writings is an extravagant lucidity.

This collection gives us quintessential Artaud on the occult, magic, the theater, mind and body, the cosmos, rebellion, and revolution in its deepest sense.

Antoine Marie Joseph Artaud, better known as Antonine Artaud, was a French dramatist, poet, essayist, actor, and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde.

Jack Hirschman (b. December 13, 1933, in New York, NY) is a poet and social activist who has written more than 50 volumes of poetry. Dismissed from teaching at UCLA for anti-war activities in 1966, he moved to San Francisco in 1973, and was the city's present poet laureate. Hirschman translates nine languages and edited The Artaud Anthology.

AS YOU LIKE IT

AS YOU LIKE IT

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Readers and audiences have long greeted As You Like It with delight. Its characters are brilliant conversationalists, including the princesses Rosalind and Celia and their Fool, Touchstone. Soon after Rosalind and Orlando meet and fall in love, the princesses and Touchstone go into exile in the Forest of Arden, where they find new conversational partners. Duke Frederick, younger brother to Duke Senior, has overthrown his brother and forced him to live homeless in the forest with his courtiers, including the cynical Jaques. Orlando, whose older brother Oliver plotted his death, has fled there, too.

Recent scholars have also grounded the play in the issues of its time. These include primogeniture, passing property from a father to his oldest son. As You Like It depicts intense conflict between brothers, exposing the human suffering that primogeniture entails. Another perspective concerns cross-dressing. Most of Orlando's courtship of Rosalind takes place while Rosalind is disguised as a man, "Ganymede." At her urging, Orlando pretends that Ganymede is his beloved Rosalind. But as the epilogue reveals, the sixteenth-century actor playing Rosalind was male, following the practice of the time. In other words, a boy played a girl playing a boy pretending to be a girl.

The authoritative edition of As You Like It from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:

-Freshly edited text based on the best early printed version of the play

-Full explanatory notes conveniently placed on pages facing the text of the play

-Scene-by-scene plot summaries

-A key to the play's famous lines and phrases

-An introduction to reading Shakespeare's language

-An essay by a leading Shakespeare scholar providing a modern perspective on the play

-Fresh images from the Folger Shakespeare Library's vast holdings of rare books

-An annotated guide to further reading

Essay by Susan Snyder

The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

BALD SOPRANO AND OTHER PLAYS

BALD SOPRANO AND OTHER PLAYS

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The leading figure of absurdist theater and one of the great innovators of the modern stage, Eugène Ionesco (1909-94) did not write his first play, The Bald Soprano, until 1950. He went on to become an internationally renowned master of modern drama, famous for the comic proportions and bizarre effects that allow his work to be simultaneously hilarious, tragic, and profound. As Ionesco has said, "Theater is not literature. . . . It is simply what cannot be expressed by any other means."
BETRAYAL

BETRAYAL

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"One of the most essential artists produced by the twentieth century. Pinter's work gets under our skin more than that of any living playwright." --New York Times

Upon its premiere at the National Theatre, Betrayal was immediately recognized as a masterpiece. It won the Olivier Award for best new play, and has since been performed all around the world and made into an Academy Award-nominated film starring Jeremy Irons, Ben Kingsley, and Patricia Hodge. Betrayal begins with a meeting between adulterous lovers, Emma and Jerry, two years after their affair has ended. During the nine scenes of the play, we move back in time through the stages of their affair, ending in the house of Emma and her husband Robert, Jerry's best friend.

"[Betrayal] deals with the shifting balance of power in triangular relationships, and with the pain of loss. . . . Pinter probes the corrosive nature of betrayal . . . a world where pain and loss are explored with poetic precision." --Guardian

"Betrayal is an exquisite play, brilliantly simple in form and courageous in its search for a poetry that turns banality into a melancholy beauty." --Newsweek

"There is hardly a line into which desire, pain, alarm, sorrow, rage or some

CAT ON A HOT TIN ROOF (REVISED

CAT ON A HOT TIN ROOF (REVISED

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Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sexuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt. In spite of the public controversy Cat stirred up, it was awarded the Pulitzer Prize and the Drama Critics Circle Award for that year. Williams, as he so often did with his plays, rewrote Cat on a Hot Tin Roof for many years--the present version was originally produced at the American Shakespeare Festival in 1974 with all the changes that made Williams finally declare the text to be definitive, and was most recently produced on Broadway in the 2003-04 season. This definitive edition also includes Williams' essay "Person-to-Person," Williams' notes on the various endings, and a short chronology of the author's life. One of America's greatest living playwrights, as well as a friend and colleague of Williams, Edward Albee has written a concise introduction to the play from a playwright's perspective, examining the candor, sensuality, power, and impact of Cat on a Hot Tin Roof then and now.
CHEKHOV THE ESSENTIAL PLAYS

CHEKHOV THE ESSENTIAL PLAYS

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Because Chekhov s plays convey the universally recognizable, sometimes comic, sometimes dramatic, frustrations of decent people trying to make sense of their lives, they remain as fresh and vigorous as when they were written a century ago. Gathered here in superb new renderings by one of the most highly regarded translators of our time versions that have been staged throughout the United States, Canada, and Great Britain are Chekhov s four essential masterpieces for the theater."
CHERRY ORCHARD

CHERRY ORCHARD

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"Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English."--The New Yorker

There have always been two versions of Chekhov's heartrending and humorous masterwork: the one with which we are all familiar, staged by Konstatine Stanislavski at the Moscow Art Theatre in 1904, and the one Chekhov had originally envisioned. Now, for the first time, both are available and published here in a single volume in translations by the renowned playwright Richard Nelson and Richard Peavar and Larissa Volokhonsky, the foremost contemporary translators of classic Russian literature. Shedding new light on this most revered play, the translators reconstructed the script Chekhov first submitted and all of the changes he made prior to rehearsal. The result is a major event in the publishing of Chekhov's canon.

Richard Nelson's many plays include Rodney's Wife, Goodnight Children Everywhere, Drama Desk-nominated Franny's Way and Some Americans Abroad, Tony Award-nominated Two Shakespearean Actors and James Joyce's The Dead (with Shaun Davey), for which he won a Tony Award for Best Book of a Musical, and the critically acclaimed, searing play cycle, The Apple Family Plays.

Richard Pevear and Larissa Volokhonsky have produced acclaimed translations of Leo Tolstoy, Fyodor Dostoevsky, Nikolai Gogol, Anton Chekhov, and Mikhail Bulgakov. Their translations of The Brothers Karamazov and Anna Karenina won the 1991 and 2002 PEN/Book-of-the-Month Club Translation Prizes. Pevvear, a native of Boston, and Volokhonsjky, of St. Petersburg, are married to each other and live in Paris.

CLYBOURNE PARK

CLYBOURNE PARK

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Clybourne Park spans two generations fifty years apart. In 1959, Russ and Bev are selling their desirable two-bedroom at a bargain price, unknowingly bringing the first black family into the neighborhood (borrowing a plot line from Lorraine Hansberry's A Raisin in the Sun) and creating ripples of discontent among the cozy white residents of Clybourne Park. In 2009, the same property is being bought by a young white couple, whose plan to raze the house and start again is met with equal disapproval by the black residents of the soon-to-be-gentrified area. Are the issues festering beneath the floorboards actually the same, fifty years on? Bruce Norris's excruciatingly funny and squirm-inducing satire explores the fault line between race and property.

Clybourne Park is the winner of the 2011 Pulitzer Prize for Drama, and the winner of the 2012 Tony Award for Best Play.

COMEDY OF ERRORS

COMEDY OF ERRORS

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Shakespeare's The Comedy of Errors is the slapstick farce of his youth. In it, the lost twin sons of the old merchant Egeon--both named Antipholus--find themselves in Ephesus, without either one even knowing of the other's existence. Meanwhile, Egeon has arrived in search of the son he thinks is still alive--and has been sentenced to death for the "crime" of being from Syracuse.

To add to the confusion, the two Antipholuses have twin servants, both named Dromio. As the four men unwittingly encounter each other, the play is crammed with wildly escalating misunderstandings before the truth emerges and Egeon is pardoned.

Shakespeare bases his story on Plautus's Menaechmi, a play about identical twins who accidentally meet after a lifetime apart. He borrows from another Plautus play by having Adriana, the wife of one Antipholus, entertain the other. The spirited Adriana often gives speeches evoking strong emotions--as do other characters at times. Even here, Shakespeare suggests complexities beyond the farce.

The authoritative edition of The Comedy of Errors from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:

-Freshly edited text based on the best early printed version of the play

-Full explanatory notes conveniently placed on pages facing the text of the play

-Scene-by-scene plot summaries

-A key to the play's famous lines and phrases

-An introduction to reading Shakespeare's language

-An essay by a leading Shakespeare scholar providing a modern perspective on the play

-Fresh images from the Folger Shakespeare Library's vast holdings of rare books

-An annotated guide to further reading

Essay by Arthur F. Kinney

The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

COPENHAGEN

COPENHAGEN

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The Tony Award--winning play that soars at the intersection of science and art, Copenhagen is an explosive re-imagining of the mysterious wartime meeting between two Nobel laureates to discuss the atomic bomb.

In 1941 the German physicist Werner Heisenberg made a clandestine trip to Copenhagen to see his Danish counterpart and friend Niels Bohr. Their work together on quantum mechanics and the uncertainty principle had revolutionized atomic physics. But now the world had changed and the two men were on opposite sides in a world war. Why Heisenberg went to Copenhagen and what he wanted to say to Bohr are questions that have vexed historians ever since. In Michael Frayn's ambitious, fiercely intelligent, and daring new play Heisenberg and Bohr meet once again to discuss the intricacies of physics and to ponder the metaphysical--the very essence of human motivation.

COST OF LIVING (TCG EDITION)

COST OF LIVING (TCG EDITION)

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"Immensely haunting... The first of many great things about Martyna Majok's Cost of Living... is the way it slams the door on uplifting stereotypes... Ms. Majok has engineered her plot to lead naturally to moments of intense and complicated pungency... If you don't find yourself in someone in Cost of Living, you're not looking." --Jesse Green, New York Times

Winner of the 2018 Pulitzer Prize for Drama, Cost of Living deftly challenges the typical perceptions of those living with disabilities and delves deep into the ways class, race, nationality, and wealth can create gulfs between people, even as they long for the ability to connect. Eddie, an unemployed truck driver, and his estranged ex-wife, Ani, find themselves unexpectedly reunited after a terrible accident leaves her quadriplegic. John, a brilliant PhD student with cerebral palsy, hires Jess, a first-generation recent graduate who has fallen on desperate times, as his new aide.

CRUCIBLE

CRUCIBLE

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The enduring classic drama of the Salem witch trials was inspired by the political witch-hunting activities of Senator Joseph McCarthy in the '50s. Though set in the 17th century, "The Crucible" presents issues still gnawing at modern society.
CYRANO DE BERGERAC

CYRANO DE BERGERAC

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Regarded as one of the greatest dramas ever written, Cyrano de Bergerac is the story of the silver-tongued soldier whose unfortunate looks drive him to woo his love by speaking for his handsome but dull-witted rival.

Cyrano de Bergerac occupies a unique place in the modern theater. Deliberately disavowing realism and contemporary relevance, Edmond Rostand's masterpiece represents a turning back in both time and spirit to an earlier age of high adventure and soaring idealism. Its magnificent hero, Cyrano--noble of soul and grotesque in appearance, gallant Gascon soldier, brilliant wit, and timid lover, alternately comic, heroic, tragic--represents one of the most challenging of all acting roles in its complexity and mercurial changes of mood. From its original production to the present day, Cyrano de Bergerac has enjoyed a charmed existence on the stage, its unflagging pace of action and eloquence of language enchanting critics and public alike. Here, in a superlative translation, is the ultimate triumph of the great French romantic tradition--a work which, in the words of the French critic Lemaître, "prolongs, unites and blends...three centuries of comic fantasy and moral grace."

Translated by Lowell Bair
With an Introduction by Eteel Lawson
and an Afterword by Cynthia B. Kerr

DEATH & THE MAIDEN TIE-IN/E

DEATH & THE MAIDEN TIE-IN/E

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Ariel Dorfman's explosively provocative, award-winning drama is set in a country that has only recently returned to democracy. Gerardo Escobar has just been chosen to head the commission that will investigate the crimes of the old regime when his car breaks down and he is picked up by the humane doctor Roberto Miranda. But in the voice of this good Samaritan, Gerardo's wife, Paulina Salas, thinks she recognizes another man--the one who raped and tortured her as she lay blindfolded in a military detention center years before.
DEATH OF A SALESMAN

DEATH OF A SALESMAN

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Willy Loman, the protagonist of "Death of a Salesman," has spent his life following the American way, living out his belief in salesmanship as a way to reinvent himself. But somehow the riches and respect he covets have eluded him. At age 63, he searches for the moment his life took a wrong turn, the moment of betrayal that undermined his relationship with his wife and destroyed his relationship with Biff, the son in whom he invested his faith. Willy lives in a fragile world of elaborate excuses and daydreams, conflating past and present in a desperate attempt to make sense of himself and of a world that once promised so much.
DISGRACED

DISGRACED

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"Sparkling and combustible" (Bloomberg Businessweek), "Disgraced rubs all kinds of unexpected raw spots with intelligence and humor" (Newsday).

"In dialogue that bristles with wit and intelligence, Akhtar puts contemporary attitudes toward religion under a microscope, revealing how tenuous self-image can be for people born into one way of being who have embraced another.... Everyone has been told that politics and religion are two subjects that should be off-limits at social gatherings. But watching these characters rip into these forbidden topics, there's no arguing that they make for ear-tickling good theater" (New York Times).

"Add a liberal flow of alcohol and a couple of major secrets suddenly revealed, and you've got yourself one dangerous dinner party" (Associated Press).

DOUBT M/TV MEDIA TIE-IN/E

DOUBT M/TV MEDIA TIE-IN/E

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Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman, and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer Prize-winning play.

"The best new play of the season. That rarity of rarities, an issue-driven play that is unpreachy, thought-provoking, and so full of high drama that the audience with which I saw it gasped out loud a half-dozen times at its startling twists and turns. Mr. Shanley deserves the highest possible praise: he doesn't try to talk you into doing anything but thinking-hard-about the gnarly complexity of human behavior."--Terry Teachout, The Wall Street Journal

"A breathtaking work of immense proportion. Positively brilliant."--Melissa Rose Bernardo, Entertainment Weekly

"#1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. In just ninety fast-moving minutes, Shanley creates four blazingly individual people. Doubt is a lean, potent drama . . . passionate, exquisite, important and engrossing."--Linda Winer, Newsday

John Patrick Shanley is the author of numerous plays, including Danny in the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia, Sexualis, Sailor's Song, Savage in Limbo, and Where's My Money? He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo; Alive; Five Corners; Joe Versus the Volcano, which he also directed; and Moonstruck, for which he won an Academy Award for best original screenplay.

DR FAUSTUS

DR FAUSTUS

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The classic Elizabethan play, with new material

From the Elizabethan period's second-biggest dramatist comes the story of Faustus, a brilliant scholar who sells his soul to the devil in exchange for limitless knowledge and powerful black magic.

EFFECT

EFFECT

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I can tell the difference between who I am and a side effect.

The Effect is a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off-course, much to the frustration of the clinicians involved. This funny, moving and perhaps surprisingly human play explores questions of sanity, neurology and the limits of medicine, alongside ideas of fate, loyalty and the inevitability of physical attraction.

Following on from the critical and commercial success of Enron, The Effect offers a vibrant theatrical exploration into the human brain via the heart. It received its world premiere at the National Theatre's Cottesloe Theatre in November 2012, starring Billie Piper and Jonjo O'Neill.

It is published here in the Modern Classics series alongside an introduction by Miriam Gillinson.

ENDGAME & ACT W/O WORDS

ENDGAME & ACT W/O WORDS

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Samuel Beckett was awarded the Nobel Prize for Literature in 1969; his literary output of plays, novels, stories and poetry has earned him an uncontested place as one of the greatest writers of our time. Endgame, originally written in French and translated into English by Beckett himself, is considered by many critics to be his greatest single work. A pinnacle of Beckett's characteristic raw minimalism, it is a pure and devastating distillation of the human essence in the face of approaching death.
EQUUS

EQUUS

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An explosive play that took critics and audiences by storm, Equus is Peter Shaffer's exploration of the way modern society has destroyed our ability to feel passion. Alan Strang is a disturbed youth whose dangerous obsession with horses leads him t
FAIRVIEW

FAIRVIEW

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Winner of the 2019 Pulitzer Prize for Drama

"Dazzling and ruthless...One of the most exquisitely and systematically arranged ambushes of an unsuspecting audience in years...A glorious, scary reminder of the unmatched power of live theater to rattle, roil and shake us wide awake." --Ben Brantley, New York Times

Grandma's birthday approaches. Beverly is organizing the perfect dinner, but everything seems doomed from the start: the silverware is all wrong, the carrots need chopping and the radio is on the fritz. What at first appears to be a family comedy takes a sharp, sly turn into a startling examination of deep-seated paradigms about race in America.

FATHER COMES HOME FROM THE WAR

FATHER COMES HOME FROM THE WAR

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Finalist, 2015 Pulitzer Prize for Drama

"The finest work yet from this gifted writer."--The New York Times

Offered his freedom if he joins his master in the ranks of the Confederacy, Hero, a slave, must choose whether to leave the woman and people he loves for what may be another empty promise. As his decision brings him face to face with a nation at war with itself, the ones Hero left behind debate whether to escape or wait for his return, only to discover that for Hero, freedom may have come at a great spiritual cost. A devastatingly beautiful dramatic work, Father Comes Home from the Wars (Parts 1, 2, & 3) is the opening trilogy of a projected nine-play cycle that will ultimately take us into the present.

Suzan-Lori Parks became the first African American woman to receive the Pulitzer Prize for Drama for her play Topdog/Underdog in 2002. Her other plays include The Book of Grace, In the Blood, Venus, The Death of the Last Black Man in the Whole Entire World, Fucking A, Imperceptible Mutabilities in the Third Kingdom and The America Play. In 2007 her 365 Days/365 Plays was produced at more than seven hundred theaters worldwide. Parks is a MacArthur Fellow and the Master Writer Chair at the Public Theater.

FLEABAG THE SPECIAL /E (TCG)

FLEABAG THE SPECIAL /E (TCG)

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Adapted into the Hit TV Series, Winner of Six 2019 Emmy Awards, including Outstanding Comedy Series, Outstanding Writing for a Comedy Series, and Outstanding Lead Actress in a Comedy Series

Celebrate the incredible journey of Phoebe Waller-Bridge's outrageously funny, blazingly forthright Fleabag, from fringe theatre hit to international cultural phenomenon, in this special edition--featuring the original playscript, never-before-seen color photos, and exclusive bonus content by Phoebe, director Vicky Jones, and key members of the creative team.

In 2013, Fleabag made its debut as a one-woman show in the sixty-seater venue the Big Belly, at the Edinburgh Festival Fringe's Underbelly. It was an immediate hit, going on to enjoy two runs at London's Soho Theatre, national and international tours, while picking up prizes including Critics' Circle, The Stage, Fringe First and two Off West End Theatre Awards, plus an Olivier Award nomination.

The 2016 TV adaptation propelled Fleabag and Phoebe to worldwide fame, earning critical acclaim and further accolades including Writers' Guild, Royal Television Society and BAFTA Television Awards. A second season followed in 2019, winning an amazing six Emmy Awards, along with a sold-out run of the original play in New York.

This special edition of the play is released alongside Fleabag's first West End run at Wyndham's Theatre, London. It is introduced by Deborah Frances-White, stand-up comedian, writer and host of The Guilty Feminist podcast.

FLICK (TCG EDITION)

FLICK (TCG EDITION)

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Winner of the 2014 Pulitzer Prize for Drama

"Funny, heartbreaking, sly and unblinking...The Flick may be the best argument anyone has yet made for the continued necessity and profound uniqueness of theater." --Jesse Green, New York

"Hilarious and ineffably touching...Ms. Baker's peerless aptitude for exploring how people grope their way toward a sense of equanimity, even as they learn to accept disappointment, is among the things that make her such a gifted writer...This lovingly observed play will sink deep into your consciousness." --Charles Isherwood, New York Times

"This hypnotic, heartbreaking micro-epic about movies and moving on is irreducibly theatrical." --David Cote, TimeOut New York

In a rundown movie theater in central Massachusetts, three underpaid employees sweep up popcorn in the empty aisles and tend to one of the last thirty-five-millimeter projectors in the state. With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama.

ANNIE BAKER'S works include The Aliens (Obie Award), Body Awareness, Circle Mirror Transformation (Obie Award), Nocturama, and an adaptation of Anton Chekhov's Uncle Vanya. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries. Recent honors include a Guggenheim Fellowship, the Steinberg Playwright Award and a New York Drama Critics Circle Award. She is a resident playwright at Signature Theatre.

FOUR PLAYS BY ARISTOPHANES: TH

FOUR PLAYS BY ARISTOPHANES: TH

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Whether his target is the war between the sexes or his fellow playwright Euripides, Aristophanes is the most important Greek comic dramatist--and one of the greatest comic playwrights of all time. His writing--at once bawdy and delicate--brilliantly fuses serious political satire with pyrotechnical bombast, establishing the tradition of comedy as high art. His messages are as timely and relevant today as they were in ancient Greece, and his plays still provoke laughter--and thought.

This volume features four celebrated masterpieces: Lysistrata, The Frogs, The Birds, and The Clouds, translated by three of the most distinguished translators and classicists of our time.

GALILEO

GALILEO

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Considered by many to be one of Brecht's masterpieces, "Galileo" explores the question of a scientist's social and ethical responsibility, as the brilliant Galileo must choose between his life and his life's work when confronted with the demands of the Inquisition. Through the dramatic characterization of the famous physicist, Brecht examines the issues of scientific morality and the difficult relationship between the intellectual and authority.
GEM OF THE OCEAN

GEM OF THE OCEAN

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"No one except perhaps Eugene O'Neill and Tennessee Williams has aimed so high and achieved so much in the American theater."--John Lahr, The New Yorker

"A swelling battle hymn of transporting beauty. Theatergoers who have followed August Wilson's career will find in Gem a touchstone for everything else he has written."--Ben Brantley, The New York Times

"Wilson's juiciest material. The play holds the stage and its characters hammer home, strongly, the notion of newfound freedom."--Michael Phillips, Chicago Tribune

Gem of the Ocean is the play that begins it all. Set in 1904 Pittsburgh, it is chronologically the first work in August Wilson's decade-by-decade cycle dramatizing the African American experience during the 20th century--an unprecedented series that includes the Pulitzer Prize-winning plays Fences and The Piano Lesson. Aunt Esther, the drama's 287-year-old fiery matriarch, welcomes into her Hill District home Solly Two Kings, who was born into slavery and scouted for the Union Army, and Citizen Barlow, a young man from Alabama searching for a new life. Gem of the Ocean recently played across the country and on Broadway, with Phylicia Rashad as Aunt Esther.

Earlier in 2005, on the completion of the final work of his ten play cycle-surely the most ambitious American dramatic project undertaken in our history-August Wilson disclosed his bout with cancer, an illness of unusual ferocity that would eventually claim his life on October 2. Fittingly the Broadway theatre where his last play will be produced in 2006 has been renamed the August Wilson Theater in his honor. His legacy will animate the theatre and stir the human heart for decades to come.

GLENGARRY GLEN ROSS

GLENGARRY GLEN ROSS

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Winner of the 1984 Pulitzer Prize, David Mamet's scalding comedy is about small-time, cutthroat real esate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream. Here is Mamet at his very best, writing with brutal power about the tough life of tough characters who cajole, connive, wheedle, and wheel and deal for a piece of the action -- where closing a sale can mean a brand new cadillac but losing one can mean losing it all. This masterpiece of American drama is now a major motion picture starring Al Pacino, Jack Lemmon, Alan Arkin, Alex Baldwain, Jonathan Pryce, Ed Harris, and Kevin Spacey.
HAMLET

HAMLET

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The acclaimed Pelican Shakespeare series, now in a dazzling new series design

Winner of the 2016 AIGA + Design Observer 50 Books - 50 Covers competition

Gold Medal Winner of the 3x3 Illustration Annual No. 14

This edition of Hamlet is edited with an introduction by series editor A. R. Braunmuller and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series.

The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

HAMLET

HAMLET

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This Oxford Shakespeare edition of Hamlet represents a radically new text of the best known and most widely discussed of all Shakespearean tragedies. Arguing that the text currently accepted is not, in fact, the most authoritative version of the play, this new edition turns to the First Folio of 1623--Shakespeare's "fair copy"--that has been preserved for us in the Second Quarto. Introducing fresh theatrical momentum, this revision provides, as Shakespeare intended, a better, more practical acting script.

Professor Hibbard's illuminating and original introduction explains the process by which variant texts were fused in the eighteenth century to create the most commonly used text of today. Drawing on both critical and theatrical history, he shows how this fusion makes Hamlet seem a much more 'problematic' play than it was when it originally appeared in the First Folio of 1623.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

HANGMEN

HANGMEN

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I'm just as good as bloody Pierrepoint.

In his small pub in Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Amongst the cub reporters and sycophantic pub regulars, dying to hear Harry's reaction to the news, a peculiar stranger lurks, with a very different motive for his visit.

Don't worry. I may have my quirks but I'm not an animal. Or am I? One for the courts to discuss.

Martin McDonagh's Hangmen premiered at the Royal Court Theatre, London, in September 2015.

HENRY IV PART 2

HENRY IV PART 2

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Henry IV, Part 2 is the only Shakespeare play that is a "sequel," in the modern sense, to an earlier play of his. Like most sequels, it repeats many elements from the previous work, Henry IV, Part 1. This play again puts on stage Henry IV's son, Prince Hal, who continues to conceal his potential greatness by consorting with tavern dwellers, including the witty Sir John Falstaff.

As in Part 1, Prince Hal and Falstaff seek to best each other in conversation, while Falstaff tries to ingratiate himself with Hal and Hal disdains him. Part 2 adds some fresh characters, the rural justices Shallow and Silence and Shallow's household. Political rebellion, while important to the plot, does not loom as large as in Part 1. There are no glorious champions; combat is replaced by deception, cunning, and treachery.

The authoritative edition of Henry IV, Part 2 from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:

-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play's famous lines and phrases
-An introduction to reading Shakespeare's language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library's vast holdings of rare books
-An annotated guide to further reading

Essay by A. R. Braunmuller

The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

HENRY V

HENRY V

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The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel

The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

IBSENS SEL PLAYS

IBSENS SEL PLAYS

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"Backgrounds" gives students an understanding of Ibsen's creative process with selections from his correspondence and other writings. Twenty-seven documents have been collected and arranged by play, with a section of autobiographical writings at the end.

Ibsen's plays continue to provoke diverse commentary. "Criticism" includes nineteen of the most important responses to Ibsen's work, among them essays by Bernard Shaw, Sandra Saari, E. M. Forster, Hugh Kenner, and Joan Templeton.

A Chronology and Selected Bibliography are also included.
IMPORTANCE OF BEING EARNEST &

IMPORTANCE OF BEING EARNEST &

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Oscar Wilde created his final and most lasting play, comic masterpieces of all time, THE IMPORTANCE OF BEING EARNEST, in 1895. Considered one of the greatest THE IMPORTANCE OF BEING EARNEST is a farce, playing with love, religion, and truth as it tells the tale of two men. Jack Worthing and Algernon Moncrieff, who bend the truth in order to add excitement to their lives. Jack invents an imaginary brother, Ernest, whom he uses as an excuse to escape from his dull country home and gallavant in town. Meanwhile, Algernon follows Jack's scam, but his imaginary friend, Bumbury, provides a convenient method of adventuring in the country. However, their deceptions eventually cross paths, resulting in a series of crises that threaten to spoil their romantic pursuits. Hailed as the first modern comedy in England, THE IMPORTANCE OF BEING EARNEST is Wilde's most famous work. This collection also features two other plays that Wilde penned earlier in his career, LADY WINDERMERE'S FAN and AN IDEAL HUSBAND, that also display his ability to convey warmth and wit through his hilarious characters and their outlandish situations.
IMPORTANCE OF BEING EARNEST RE

IMPORTANCE OF BEING EARNEST RE

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The crowning plays of one of Ireland's most heralded artists

Oscar Wilde was at once a family man and a homosexual outsider, a socialite, socialist, and Irish nationalist. His contradictions inspired him to ponder the roles and masks donned in conventional society, and his acute and wry insights are wonderfully displayed in this collection of his essential plays. Known not only for his brilliant, epigrammatic language, but also for his sense of theatrical design, color, and staging, Wilde created an enduring body of finely crafted works, whose delights and ironies still speak to modern audiences. In addition to Lady Windermere's Fan, Salomé, A Woman of No Importance, An Ideal Husband, A Florentine Tragedy, and The Importance of Being Earnest, this edition contains an introduction, notes and commentaries, and an excised scene from The Importance of Being Earnest.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

INDECENT (TCG EDITION)

INDECENT (TCG EDITION)

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"Revelatory...As intimate and immediate as a whispered secret. Vogel's play thrums with music, desire, and fear, and it's shrewd about the ways in which America isn't free, and about how art does and doesn't transcend the perilous winds of history." --New Yorker "Superbly realized...Indecent, the powerful play by Paula Vogel, sheds an eye-opening light on a little-known time when theatrical history, Jewish culture, and the frank depiction of homosexuality intersected, with explosive results." --New York Times "Gorgeous. Illuminating and heartbreaking. Rich in sympathy and humor, Indecent has the scope of an epic but the intimacy of a chamber piece...It celebrates and illustrates the power of theater." --Time Out New York "A moving and fascinating play...A singular achievement... The historical perspective is vast and knowing...Has there ever been anything quite like Indecent, a play that touches--I mean deeply touches--so much rich emotion about history and the theater, anti-Semitism, homophobia, censorship, world wars, red-baiting, and oh, yes, joyful human passion?...An extraordinary play." --Newsday "Indecent is more than a play about forbidden love: It's about theater as a life force." --New York Post When Sholem Asch wrote God of Vengeance in 1907, he didn't imagine the height of controversy the play would eventually reach. Performing at first in Yiddish and German, the play's subject matter wasn't deemed contentious until it was produced in English, when the American audiences were scandalized by the onstage depiction of an amorous affair between two women. Paula Vogel's newest work traces the trajectory of the show's success through its tour in Europe to its abrupt and explosive demise on Broadway in 1923--including the arrest of the entire production's cast and crew. Paula Vogel is the Pulitzer Prize-winning author of How I Learned to Drive. Her other plays include Don Juan Comes Home from Iraq, A Civil War Christmas, The Long Christmas Ride Home, and The Baltimore Waltz, among others. She has also had a distinguished career as a teacher and mentor to younger playwrights, first at Brown University and then at the Yale School of Drama.
INHERIT THE WIND

INHERIT THE WIND

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A classic work of American theatre, based on the Scopes Monkey Trial of 1925, which pitted Clarence Darrow against William Jennings Bryan in defense of a schoolteacher accused of teaching the theory of evolution

The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus. The chief gladiators were two great legal giants of the century. Like two bull elephants locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American. One of the most moving and meaningful plays of our generation.

Praise for Inherit the Wind

"A tidal wave of a drama."--New York World-Telegram And Sun

"Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to crank out serious plays for thinking Americans. . . . Inherit the Wind is a perpetually prescient courtroom battle over the legality of teaching evolution. . . . We're still arguing this case-all the way to the White House."--Chicago Tribune

"Powerful . . . a crackling good courtroom play . . . [that] provides two of the juiciest roles in American theater."--Copley News Service

"[This] historical drama . . . deserves respect."--The Columbus Dispatch

INTIMATE APPAREL/FABULATION

INTIMATE APPAREL/FABULATION

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"Lynn Nottage's work explores depths of humanness, the overlapping complexities of race, gender, culture and history--and the startling simplicity of desire--with a clear tenderness, with humor, with compassion." --Paula Vogel, Pulitzer Prize-winning playwright

Intimate Apparel "Thoughtful, affecting new play . . . with seamless elegance."--Charles Isherwood, Variety

Fabulation "Robustly entertaining comedy . . . with punchy social insights and the firecracker snap of unexpected humor."--Ben Brantley, The New York Times

With her two latest plays, "exceptionally gifted playwright" (New York Observer) Lynn Nottage has created companion pieces that span 100 years in the lives of African American women. Intimate Apparel is about the empowerment of Esther, a proud and shy seamstress in 1905 New York who creates exquisite lingerie for both Fifth Avenue boudoirs and Tenderloin bordellos. In Fabulation Nottage re-imagines Esther as Undine, the PR-diva of today, who spirals down from her swanky Manhattan office to her roots back in Brooklyn. Through opposite journeys, Esther and Undine achieve the same satisfying end, one of self-discovery.

Lynn Nottage's plays include Crumbs from the Table of Joy; Mud, River, Stone; Por' Knockers; Las Menias; Fabulation and Intimate Apparel, for which she was awarded the Francesca Primus Prize and the American Theatre Critics/Steinberg New Play Award in 2004. Her plays have been produced at theatres throughout the country, with Intimate Apparel slated for 16 productions during the 2005-2006 season.