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CLYBOURNE PARK

CLYBOURNE PARK

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Clybourne Park spans two generations fifty years apart. In 1959, Russ and Bev are selling their desirable two-bedroom at a bargain price, unknowingly bringing the first black family into the neighborhood (borrowing a plot line from Lorraine Hansberry's A Raisin in the Sun) and creating ripples of discontent among the cozy white residents of Clybourne Park. In 2009, the same property is being bought by a young white couple, whose plan to raze the house and start again is met with equal disapproval by the black residents of the soon-to-be-gentrified area. Are the issues festering beneath the floorboards actually the same, fifty years on? Bruce Norris's excruciatingly funny and squirm-inducing satire explores the fault line between race and property.

Clybourne Park is the winner of the 2011 Pulitzer Prize for Drama, and the winner of the 2012 Tony Award for Best Play.

COPENHAGEN

COPENHAGEN

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The Tony Award--winning play that soars at the intersection of science and art, Copenhagen is an explosive re-imagining of the mysterious wartime meeting between two Nobel laureates to discuss the atomic bomb.

In 1941 the German physicist Werner Heisenberg made a clandestine trip to Copenhagen to see his Danish counterpart and friend Niels Bohr. Their work together on quantum mechanics and the uncertainty principle had revolutionized atomic physics. But now the world had changed and the two men were on opposite sides in a world war. Why Heisenberg went to Copenhagen and what he wanted to say to Bohr are questions that have vexed historians ever since. In Michael Frayn's ambitious, fiercely intelligent, and daring new play Heisenberg and Bohr meet once again to discuss the intricacies of physics and to ponder the metaphysical--the very essence of human motivation.

COST OF LIVING (TCG EDITION)

COST OF LIVING (TCG EDITION)

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"Immensely haunting... The first of many great things about Martyna Majok's Cost of Living... is the way it slams the door on uplifting stereotypes... Ms. Majok has engineered her plot to lead naturally to moments of intense and complicated pungency... If you don't find yourself in someone in Cost of Living, you're not looking." --Jesse Green, New York Times

Winner of the 2018 Pulitzer Prize for Drama, Cost of Living deftly challenges the typical perceptions of those living with disabilities and delves deep into the ways class, race, nationality, and wealth can create gulfs between people, even as they long for the ability to connect. Eddie, an unemployed truck driver, and his estranged ex-wife, Ani, find themselves unexpectedly reunited after a terrible accident leaves her quadriplegic. John, a brilliant PhD student with cerebral palsy, hires Jess, a first-generation recent graduate who has fallen on desperate times, as his new aide.

DESDEMONA

DESDEMONA

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The story of Desdemona from Shakespeare's Othello is re-imagined by Nobel Prize laureate Toni Morrison, Malian singer and songwriter Rokia Traoré, and acclaimed stage director Peter Sellars. Morrison's response to Othello is an intimate dialogue of words and music between Desdemona and her African nurse Barbary. Morrison gives voice and depth to the female characters, letting them speak and sing in the fullness of their hearts.

Desdemona is an extraordinary narrative of words, music and song about Shakespeares doomed heroine, who speaks from the grave about the traumas of race, class, gender, war and the transformative power of love. Toni Morrison transports one of the most iconic, central, and disturbing treatments of race in Western culture into the new realities and potential outcomes facing a rising generation of the 21st century.

DISGRACED

DISGRACED

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Winner of the Pulitzer Prize for Drama

From the author of Homeland Elegies, a "sparkling and combustible" play (Bloomberg) about identity in America after September 11.


"Everyone has been told that politics and religion are two subjects that should be off-limits at social gatherings. But watching these characters rip into these forbidden topics, there's no arguing that they make for ear-tickling good theater." --New York Times

EFFECT

EFFECT

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I can tell the difference between who I am and a side effect.

The Effect is a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off-course, much to the frustration of the clinicians involved. This funny, moving and perhaps surprisingly human play explores questions of sanity, neurology and the limits of medicine, alongside ideas of fate, loyalty and the inevitability of physical attraction.

Following on from the critical and commercial success of Enron, The Effect offers a vibrant theatrical exploration into the human brain via the heart. It received its world premiere at the National Theatre's Cottesloe Theatre in November 2012, starring Billie Piper and Jonjo O'Neill.

It is published here in the Modern Classics series alongside an introduction by Miriam Gillinson.

FAIRVIEW

FAIRVIEW

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Winner of the 2019 Pulitzer Prize for Drama

"Dazzling and ruthless...One of the most exquisitely and systematically arranged ambushes of an unsuspecting audience in years...A glorious, scary reminder of the unmatched power of live theater to rattle, roil and shake us wide awake." --Ben Brantley, New York Times

Grandma's birthday approaches. Beverly is organizing the perfect dinner, but everything seems doomed from the start: the silverware is all wrong, the carrots need chopping and the radio is on the fritz. What at first appears to be a family comedy takes a sharp, sly turn into a startling examination of deep-seated paradigms about race in America.

FATHER COMES HOME FROM THE WAR

FATHER COMES HOME FROM THE WAR

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Finalist, 2015 Pulitzer Prize for Drama

"The finest work yet from this gifted writer."--The New York Times

Offered his freedom if he joins his master in the ranks of the Confederacy, Hero, a slave, must choose whether to leave the woman and people he loves for what may be another empty promise. As his decision brings him face to face with a nation at war with itself, the ones Hero left behind debate whether to escape or wait for his return, only to discover that for Hero, freedom may have come at a great spiritual cost. A devastatingly beautiful dramatic work, Father Comes Home from the Wars (Parts 1, 2, & 3) is the opening trilogy of a projected nine-play cycle that will ultimately take us into the present.

Suzan-Lori Parks became the first African American woman to receive the Pulitzer Prize for Drama for her play Topdog/Underdog in 2002. Her other plays include The Book of Grace, In the Blood, Venus, The Death of the Last Black Man in the Whole Entire World, Fucking A, Imperceptible Mutabilities in the Third Kingdom and The America Play. In 2007 her 365 Days/365 Plays was produced at more than seven hundred theaters worldwide. Parks is a MacArthur Fellow and the Master Writer Chair at the Public Theater.

FLEABAG THE SPECIAL /E (TCG)

FLEABAG THE SPECIAL /E (TCG)

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Adapted into the Hit TV Series, Winner of Six 2019 Emmy Awards, including Outstanding Comedy Series, Outstanding Writing for a Comedy Series, and Outstanding Lead Actress in a Comedy Series

Celebrate the incredible journey of Phoebe Waller-Bridge's outrageously funny, blazingly forthright Fleabag, from fringe theatre hit to international cultural phenomenon, in this special edition--featuring the original playscript, never-before-seen color photos, and exclusive bonus content by Phoebe, director Vicky Jones, and key members of the creative team.

In 2013, Fleabag made its debut as a one-woman show in the sixty-seater venue the Big Belly, at the Edinburgh Festival Fringe's Underbelly. It was an immediate hit, going on to enjoy two runs at London's Soho Theatre, national and international tours, while picking up prizes including Critics' Circle, The Stage, Fringe First and two Off West End Theatre Awards, plus an Olivier Award nomination.

The 2016 TV adaptation propelled Fleabag and Phoebe to worldwide fame, earning critical acclaim and further accolades including Writers' Guild, Royal Television Society and BAFTA Television Awards. A second season followed in 2019, winning an amazing six Emmy Awards, along with a sold-out run of the original play in New York.

This special edition of the play is released alongside Fleabag's first West End run at Wyndham's Theatre, London. It is introduced by Deborah Frances-White, stand-up comedian, writer and host of The Guilty Feminist podcast.

FLICK (TCG EDITION)

FLICK (TCG EDITION)

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Winner of the 2014 Pulitzer Prize for Drama

"Funny, heartbreaking, sly and unblinking...The Flick may be the best argument anyone has yet made for the continued necessity and profound uniqueness of theater." --Jesse Green, New York

"Hilarious and ineffably touching...Ms. Baker's peerless aptitude for exploring how people grope their way toward a sense of equanimity, even as they learn to accept disappointment, is among the things that make her such a gifted writer...This lovingly observed play will sink deep into your consciousness." --Charles Isherwood, New York Times

"This hypnotic, heartbreaking micro-epic about movies and moving on is irreducibly theatrical." --David Cote, TimeOut New York

In a rundown movie theater in central Massachusetts, three underpaid employees sweep up popcorn in the empty aisles and tend to one of the last thirty-five-millimeter projectors in the state. With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama.

ANNIE BAKER'S works include The Aliens (Obie Award), Body Awareness, Circle Mirror Transformation (Obie Award), Nocturama, and an adaptation of Anton Chekhov's Uncle Vanya. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries. Recent honors include a Guggenheim Fellowship, the Steinberg Playwright Award and a New York Drama Critics Circle Award. She is a resident playwright at Signature Theatre.

HANGMEN

HANGMEN

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I'm just as good as bloody Pierrepoint.

In his small pub in Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Amongst the cub reporters and sycophantic pub regulars, dying to hear Harry's reaction to the news, a peculiar stranger lurks, with a very different motive for his visit.

Don't worry. I may have my quirks but I'm not an animal. Or am I? One for the courts to discuss.

Martin McDonagh's Hangmen premiered at the Royal Court Theatre, London, in September 2015.

INDECENT (TCG EDITION)

INDECENT (TCG EDITION)

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"Revelatory...As intimate and immediate as a whispered secret. Vogel's play thrums with music, desire, and fear, and it's shrewd about the ways in which America isn't free, and about how art does and doesn't transcend the perilous winds of history." --New Yorker "Superbly realized...Indecent, the powerful play by Paula Vogel, sheds an eye-opening light on a little-known time when theatrical history, Jewish culture, and the frank depiction of homosexuality intersected, with explosive results." --New York Times "Gorgeous. Illuminating and heartbreaking. Rich in sympathy and humor, Indecent has the scope of an epic but the intimacy of a chamber piece...It celebrates and illustrates the power of theater." --Time Out New York "A moving and fascinating play...A singular achievement... The historical perspective is vast and knowing...Has there ever been anything quite like Indecent, a play that touches--I mean deeply touches--so much rich emotion about history and the theater, anti-Semitism, homophobia, censorship, world wars, red-baiting, and oh, yes, joyful human passion?...An extraordinary play." --Newsday "Indecent is more than a play about forbidden love: It's about theater as a life force." --New York Post When Sholem Asch wrote God of Vengeance in 1907, he didn't imagine the height of controversy the play would eventually reach. Performing at first in Yiddish and German, the play's subject matter wasn't deemed contentious until it was produced in English, when the American audiences were scandalized by the onstage depiction of an amorous affair between two women. Paula Vogel's newest work traces the trajectory of the show's success through its tour in Europe to its abrupt and explosive demise on Broadway in 1923--including the arrest of the entire production's cast and crew. Paula Vogel is the Pulitzer Prize-winning author of How I Learned to Drive. Her other plays include Don Juan Comes Home from Iraq, A Civil War Christmas, The Long Christmas Ride Home, and The Baltimore Waltz, among others. She has also had a distinguished career as a teacher and mentor to younger playwrights, first at Brown University and then at the Yale School of Drama.
KIMS CONVENIENCE TV TIE-IN/E

KIMS CONVENIENCE TV TIE-IN/E

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Mr. Kim is a first-generation Korean immigrant and the proud owner of Kim's Convenience, a variety store located in the heart of downtown Toronto's Regent Park neighbourhood. There, he spends his time serving an eclectic array of customers, catching petty thieves, and helpfully keeping the police apprised of illegally parked Japanese cars. As the neighbourhood quickly gentrifies, Mr. Kim is offered a generous sum of money to sell -- enough to allow him and his wife to finally retire. But Kim's Convenience is more than just his livelihood -- it is his legacy. As Mr. Kim tries desperately, and hilariously, to convince his daughter Janet, a budding photographer, to take over the store, his wife sneaks out to meet their estranged son Jung, who has not seen or spoken to his father in sixteen years and who has now become a father himself.

Wholly original, hysterically funny, and deeply moving, Kim's Convenience tells the story of one Korean family struggling to face the future amidst the bitter memories of their past.

This edition includes a new foreword by Soulpepper Theatre Director and Founder Albert Schultz and an essay by Ivan Fecan Executive Producer of Kim's Convenience, the TV series, an updated Introduction by Ins Choi, as well as essays from Kevin White Co-Creator of the TV series and cast members Paul Lee and Jean Yoon who were in the original theatrical production and star in the TV series as well. The book also includes a sixteen-page black-and-white photo insert featuring photos from the original Fringe production, the Soulpepper production, as well as photos from the CBC TV series.

LARAMIE PROJECT & THE LARAMIE

LARAMIE PROJECT & THE LARAMIE

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The Laramie Project, one of the most-performed theater pieces in America, has become a modern classic. In this expanded edition, it is joined by an essential and moving sequel to the original play.

On October 7, 1998, a young gay man was discovered bound to a fence outside Laramie, Wyoming, savagely beaten and left to die in an act of brutality and hate that shocked the nation. Matthew Shepard's death became a national symbol of intolerance, but for the people of the town, the event was deeply personal. In the aftermath, Moisés Kaufman and members of the Tectonic Theater Project went to Laramie and conducted more than 200 interviews with its citizens. From the transcripts, the playwrights constructed an extraordinary chronicle of life in the town after the murder.

In The Laramie Project: Ten Years Later, the troupe revisits the town a decade after the tragedy, finding a community grappling with its legacy and its place in history. The two plays together comprise an epic and deeply moving theatrical cycle that explores the life of an American town over the course a decade.

NORMA JEANE BAKER OF TROY

NORMA JEANE BAKER OF TROY

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Norma Jeane Baker of Troy is a partly spoken, partly sung performance piece by poet, essayist, and scholar Anne Carson, and an exploration of the lives and myths of Marilyn Monroe and Helen of Troy--iconic beauties who lived millennia apart. A thrilling and thoughtful meditation on the destabilising and destructive power of beauty, this had its world premiere at The Shed in New York City, starring Ben Whishaw and Renée Fleming.
NOTES FROM THE FIELD

NOTES FROM THE FIELD

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Smith's powerful style of living journalism uses the collective, cathartic nature of the theater to move us from despair toward hope." --The Village Voice

Anna Deavere Smith's extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. One of her most ambitious and powerful works on how matters of race continue to divide and enslave the nation" (Variety).

Smith renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons. (As Smith has put it: "Rich kids get mischief, poor kids get pathologized and incarcerated.")

Using people's own words, culled from interviews and speeches, Smith depicts Rev. Jamal Harrison Bryant, who eulogized Freddie Gray; Niya Kenny, a high school student who confronted a violent police deputy; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. Their voices bear powerful witness to a great iniquity of our time--and call us to action with their accounts of resistance and hope.

PASS OVER

PASS OVER

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Moses and Kitch stand around on the corner--talking shit, passing the time, and hoping that maybe today will be different. As they dream of their promised land, a stranger wanders into their space with his own agenda and derails their plans. Emotional and lyrical, Pass Over crafts everyday profanities into poetic and humorous riffs, exposing the unquestionable human spirit of young men stuck in a cycle that they are desperately trying to escape. Spike Lee directed a film version of the play that premiered at the 2018 Sundance Film Festival and South by Southwest, and was produced by Amazon Studios. A provocative riff on the Book of Exodus and Waiting for Godot, Pass Over is a remarkable work of politically-charged theater by a bold new American voice.

A provocative riff on the Book of Exodus and Waiting for Godot, Pass Over is a remarkable work of politically-charged theater by a bold new American voice.

PROOF

PROOF

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Proof is the winner of the 2001 Pulitzer Prize for Drama.

One of the most acclaimed plays of the 1999-2000 season, Proof is a work that explores the unknowability of love as much as it does the mysteries of science.

It focuses on Catherine, a young woman who has spent years caring for her father, Robert, a brilliant mathematician in his youth who was later unable to function without her help. His death has brought into her midst both her sister, Claire, who wants to take Catherine back to New York with her, and Hal, a former student of Catherine's father who hopes to find some hint of Robert's genius among his incoherent scribblings. The passion that Hal feels for math both moves and angers Catherine, who, in her exhaustion, is torn between missing her father and resenting the great sacrifices she made for him. For Catherine has inherited at least a part of her father's brilliance -- and perhaps some of his instability as well. As she and Hal become attracted to each other, they push at the edges of each other's knowledge, considering not only the unpredictability of genius but also the human instinct toward love and trust.

RED LETTER PLAYS

RED LETTER PLAYS

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"In the Blood is an extraordinary new play...It is truly harrowing...we cannot turn away, and we do not want to. The play strikes us as Hawthorne claimed his first glimpse of the scarlet letter struck him, with "a sensation not altogether physical yet almost so, as of a burning heat, as if the letter were not of red cloth but of red-hot iron.'"--Margo Jefferson, The New York Times

The playwright who "has burst through every known convention to invent a new theatrical language, like a jive Samuel Beckett, while exploding American cultural myths and stereotypes along the way [John Heilpern, New York Observer and Vogue]," has written two haunting riffs on Hawthorne's The Scarlett Letter: In the Blood and Fucking A.

Hester La Negrita of In the Blood is an unapologetic mother of five illegitimate children--"my treasures, my five joys"--who practices writing the alphabet to help herself "one day get a leg up. The letter A is as far as she gets. Hester Smith of Fucking A works the only job available--abortionist to the lower class, in order to save for a reunion picnic with her imprisoned son. Her branded A bleeds afresh every time a patient comes to see her.

These are two mature, beautifully crafted, inventive and poetic plays by one of the most unique voices writing for the stage today.

Suzan Lori-Parks is also the author of The America Play and Other Works and Venus, both published by TCG. She lives in Brooklyn, New York.

RUINED (TCG EDITION)

RUINED (TCG EDITION)

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Winner of the 2009 Pulitzer Prize for Drama

"A powerhouse drama. . . . Lynn Nottage's beautiful, hideous and unpretentiously important play [is] a shattering, intimate journey into faraway news reports."--Linda Winer, Newsday

"An intense and gripping new drama . . . the kind of new play we desperately need: well-informed and unafraid of the world's brutalities. Nottage is one of our finest playwrights, a smart, empathetic and daring storyteller who tells a story an audience won't expect."--David Cote, Time Out New York

A rain forest bar and brothel in the brutally war-torn Congo is the setting for Lynn Nottage's extraordinary new play. The establishment's shrewd matriarch, Mama Nadi, keeps peace between customers from both sides of the civil war, as government soldiers and rebel forces alike choose from her inventory of women, many already "ruined" by rape and torture when they were pressed into prostitution. Inspired by interviews she conducted in Africa with Congo refugees, Nottage has crafted an engrossing and uncommonly human story with humor and song served alongside its postcolonial and feminist politics in the rich theatrical tradition of Bertolt Brecht's Mother Courage.

Lynn Nottage's plays include Crumbs from the Table of Joy, Fabulation, and Intimate Apparel, winner of the American Theatre Critics' Steinberg New Play Award and the Francesca Primus Prize. Her plays have been widely produced, with Intimate Apparel receiving more productions than any other play in America during the 2005-2006 season.

SLAVE PLAY

SLAVE PLAY

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"The single most daring thing I've seen in a theater in a long time." -- Wesley Morris, New York Times

The Old South lives on at the MacGregor Plantation--in the breeze, in the cotton fields...and in the crack of the whip. Nothing is as it seems, and yet everything is as it seems. Slave Play rips apart history to shed new light on the nexus of race, gender, and sexuality in twenty-first-century America.

SUNSET LIMITED: A NOVEL IN DRA

SUNSET LIMITED: A NOVEL IN DRAMATIC FORM

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A startling encounter on a New York subway platform leads two strangers to a run-down tenement where a life or death decision must be made.

In that small apartment, "Black" and "White," as the two men are known, begin a conversation that leads each back through his own history, mining the origins of two fundamentally opposing world views. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con and ex-addict, is the more hopeful of the men-though he is just as desperate to convince White of the power of faith as White is desperate to deny it.

Their aim is no less than this: to discover the meaning of life.

Deft, spare, and full of artful tension, The Sunset Limited is a beautifully crafted, consistently thought-provoking, and deceptively intimate work by one of the most insightful writers of our time.

SWEAT (TCG EDITION)

SWEAT (TCG EDITION)

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Winner of the 2017 Pulitzer Prize for Drama

Nominee for 3 Tony Awards including Best Play

"Lynn Nottage's best work. She offers a powerful critique of the American attitude toward class, and how it affects the decisions we make. Sweat has fraternity at its heart, but also the violence, and the suspicion that can result from class aspirations." -Hilton Als, New Yorker

Lynn Nottage has written one of her most exquisitely devastating tragedies to date. In one of the poorest cities in America, Reading, Pennsylvania, a group of down-and-out factory workers struggle to keep their present lives in balance, ignorant of the financial devastation looming in their near future. Based on Nottage's extensive research and interviews with residents of Reading, Sweat is a topical reflection of the present and poignant outcome of America's economic decline.

Lynn Nottage is the recipient of two Pulitzer Prize Awards for Drama for Sweat and Ruined. She is the first woman playwright to be honored twice. Her other plays include Intimate Apparel; By the Way, Meet Vera Stark; Fabulation, or the Re-Education of Undine; Crumbs from the Table of Joy; and Las Meninas.

THREE BILLBOARDS OUTSIDE EBBIN

THREE BILLBOARDS OUTSIDE EBBIN

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The screenplay of the film starring Frances McDormand, Woody Harrelson, Sam Rockwell
After months pass without a culprit in her daughter's murder case, Mildred Hayes pays for three signs challenging the authority of William Willoughby, the town's revered chief of police. When his second-in-command, Officer Dixon, a mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement threatens to engulf the town.

Three Billboards Outside Ebbing, Missouri is a darkly comedic drama from Martin McDonagh, nominated for six Golden Globes at the 75th Golden Globe Awards including Best Picture, Best Director and Best Actress, announced on December 11th 2017. It was nominated for 7 Oscars, including Best Actress in a leading role for Frances McDormand, Best Picture and Best Actor in a supporting role for Woody Harrelson, announced on the 23rd January 2018.

TOPDOG/UNDERDOG

TOPDOG/UNDERDOG

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Winner of the 2002 Pulitzer Prize for Drama

A darkly comic fable of brotherly love and family identity is Suzan-Lori Parks latest riff on the way we are defined by history. The play tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future.

Suzan-Lori Parks is the author of numerous plays, including In the Blood and Venus. She is currently head of the A.S.K. Theater Projects Writing for Performance Program at the California Institute of the Arts in Valencia.

WATER BY THE SPOONFUL (REVISED

WATER BY THE SPOONFUL (REVISED

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"How many plays make us long for grace? Water by the Spoonful by Quiara Hudes is such a rare play; it is a yearning, funny, deeply sad and deeply lyrical piece, a worthy companion to Hudes's Elliot, A Soldier's Fugue. The play infects us with the urge to find connection within our families and communities and remains with us long after we've left the theater." -Paula Vogel, Pulitzer Prize-winning author of How I Learned to Drive "Hudes's writing is controlled and graceful. Each of the play's 15 short scenes is perfectly balanced, the language both lyrical and lucid." -Richard Zoglin, Time "For a drama peopled by characters who have traveled a long way in the dark, Water by the Spoonful gives off a shimmering, sustaining warmth. Ms. Hudes writes with such empathy and vibrant humor about people helping one another to face down their demons that regeneration and renewal always seem to be just around the corner." -Charles Isherwood, New York Times Winner of the 2012 Pulitzer Prize for Drama, Water by the Spoonful is "a rich, brilliant montage of American urban life that is as dazzling to watch as it is difficult to look away from" (Associated Press). Somewhere in Philadelphia, Elliot has returned from Iraq and is struggling to find his place in the world. Somewhere in a chat room, recovering addicts forge an unbreakable bond of support and love. The boundaries of family and community are stretched across continents and cyberspace as birth families splinter and online families collide. Water by the Spoonful is a heartfelt and poetic meditation on lives on the brink of redemption and self-discovery during a time of heightened uncertainty, "as startling and innovative and human on the page as on the stage" (Junot Díaz, Pulitzer Prize-Winning author). Hudes's cycle of three plays began with Elliot, A Soldier's Fugue (Pulitzer Prize finalist) and concludes with The Happiest Song Plays Last. Quiara Alegría Hudes is the author of the Pulitzer Prize-winning Water by the Spoonful, the Tony Award-winning musical In the Heights and the Pulitzer Prize finalist Elliot, A Soldier's Fugue. Her other works include Barrio Grrrl!, a children's musical; 26 Miles; Yemaya's Belly and The Happiest Song Plays Last, the third piece in her acclaimed trilogy. Hudes is on the board of Philadelphia Young Playwrights, which produced her first play in the tenth grade. She now lives in New York with her husband and children.
WHITE CARD: A PLAY

WHITE CARD: A PLAY

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A play about the imagined fault line between black and white lives by Claudia Rankine, the author of Citizen

The White Card stages a conversation that is both informed and derailed by the black/white American drama. The scenes in this one-act play, for all the characters' disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond.
--from the introduction by Claudia Rankine

Claudia Rankine's first published play, The White Card, poses the essential question: Can American society progress if whiteness remains invisible?

Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for the up-and-coming artist Charlotte. Their conversation about art and representations of race spirals toward the devastation of Virginia and Charles's intentions. One year later, the second scene brings Charlotte and Charles into the artist's studio, and their confrontation raises both the stakes and the questions of what--and who--is actually on display.

Rankine's The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gallery, the theater, and the imagination itself.

WILLIAM SHAKESPEARES THE FORCE

WILLIAM SHAKESPEARES THE FORCE

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Experience the Star Wars saga reimagined as an Elizabethan drama penned by William Shakespeare himself, complete with authentic meter and verse, and theatrical monologues and dialogue by everyone from Rey to Chewbacca.

As the noble Resistance clashes with the vile First Order, Rey, Finn, Poe Dameron, Kylo Ren, and BB-8 are pulled into a galaxy-wide drama. The romance of Han Solo and Leia Organa takes a tragic turn that Shakespeare would approve of.

Authentic meter, stage directions, reimagined movie scenes and dialogue, and hidden Easter eggs throughout will entertain and impress fans of Star Wars and Shakespeare alike. Every scene and character from the film appears in the play, along with twenty woodcut-style illustrations that depict an Elizabethan version of the Star Wars galaxy.

WOLVES

WOLVES

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One of the most-talked about new plays of the 2016 Off-Broadway season, Sarah DeLappe's The Wolves opened to enthusiastic acclaim, including two sold-out, extended runs at The Playwrights Realm/The Duke on 42nd Street.The Wolves follows the 9 teenage girls--members of an indoor soccer team--as they warm up, engage in banter and one-upmanship, and fight battles big and small with each other and themselves. As the teammates warm up in sync, a symphony of overlapping dialogue spills out their concerns, including menstruation (pads or tampons?), is Coach hung over?, eating disorders, sexual pressure, the new girl, and the Khmer Rouge (what it is, how to pronounce it, and do they need to know about it--"We don't do genocides 'til senior year.") By season's and play's end, amidst the wins and losses, rivalries and tragedies, they are warriors tested and ready--they are The Wolves.