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ASTOUNDING: JOHN W. CAMPBELL,

ASTOUNDING: JOHN W. CAMPBELL,

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Hugo and Locus Award Finalist

An Economist Best Book of the Year

A Milwaukee Journal Sentinel Best Book of 2018

"An amazing and engrossing history...Insightful, entertaining, and compulsively readable." -- George R. R. Martin

Astounding is the landmark account of the extraordinary partnership between four controversial writers--John W. Campbell, Isaac Asimov, Robert A. Heinlein, and L. Ron Hubbard--who set off a revolution in science fiction and forever changed our world.

This remarkable cultural narrative centers on the figure of John W. Campbell, Jr., whom Asimov called "the most powerful force in science fiction ever." Campbell, who has never been the subject of a biography until now, was both a visionary author--he wrote the story that was later filmed as The Thing--and the editor of the groundbreaking magazine best known as Astounding Science Fiction, in which he discovered countless legendary writers and published classic works ranging from the I, Robot series to Dune. Over a period of more than thirty years, from the rise of the pulps to the debut of Star Trek, he dominated the genre, and his three closest collaborators reached unimaginable heights. Asimov became the most prolific author in American history; Heinlein emerged as the leading science fiction writer of his generation with the novels Starship Troopers and Stranger in a Strange Land; and Hubbard achieved lasting fame--and infamy--as the founder of the Church of Scientology.

Drawing on unexplored archives, thousands of unpublished letters, and dozens of interviews, Alec Nevala-Lee offers a riveting portrait of this circle of authors, their work, and their tumultuous private lives. With unprecedented scope, drama, and detail, Astounding describes how fan culture was born in the depths of the Great Depression; follows these four friends and rivals through World War II and the dawn of the atomic era; and honors such exceptional women as Doña Campbell and Leslyn Heinlein, whose pivotal roles in the history of the genre have gone largely unacknowledged. For the first time, it reveals the startling extent of Campbell's influence on the ideas that evolved into Scientology, which prompted Asimov to observe: "I knew Campbell and I knew Hubbard, and no movement can have two Messiahs." It looks unsparingly at the tragic final act that estranged the others from Campbell, bringing the golden age of science fiction to a close, and it illuminates how their complicated legacy continues to shape the imaginations of millions and our vision of the future itself.

Enthralling...A clarion call to enlarge American literary history." -- Washington Post

"Engrossing, well-researched... This sure-footed history addresses important issues, such as the lack of racial diversity and gender parity for much of the genre's history." -- Wall Street Journal

"A gift to science fiction fans everywhere." -- Sylvia Nasar, New York Times bestselling author of A Beautiful Mind

BEST AMERICAN SCIENCE FICTION

BEST AMERICAN SCIENCE FICTION

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The best science fiction and fantasy stories from 2019, guest-edited by author of the mega-best-selling Outlander series, Diana Gabaldon.

Today's readers of science fiction and fantasy have an appetite for stories that address a wide variety of voices, perspectives, and styles. There is an openness to experiment and pushing boundaries, combined with the classic desire to read about spaceships and dragons, future technology and ancient magic, and the places where they intersect. Contemporary science fiction and fantasy looks to accomplish the same goal as ever--to illuminate what it means to be human. With a diverse selection of stories chosen by series editor John Joseph Adams and Diana Gabaldon, The Best American Science Fiction and Fantasy 2020 explores the ever-expanding and changing world of SFF today.

BLACK FROM THE FUTURE

BLACK FROM THE FUTURE

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Black From the Future: A Collection of Black Speculative Writing encompasses the broad spectrum of Black speculative writing, including science fiction, fantasy, magical realism, and Afrofuturism, all by Black women writers. Editors Stephanie Andrea Allen and Lauren Cherelle have gathered the voices of twenty emerging and established writers in speculative fiction and poetry; writers who've imagined the weird and the wondrous, the futuristic and the fantastical, the shadowy and the sublime.

BRAVE NEW WORLDS 2/E

BRAVE NEW WORLDS 2/E

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Brave New Worlds collects the best tales of totalitarian menace by some of today's most visionary writers, including Neil Gaiman, Paolo Bacigalupi, Orson Scott Card, Kim Stanley Robinson, Kurt Vonnegut, Jr., Ken Liu, Shirley, Jackson, and Ursula K. Le Guin.

What happens when civilization invades and dictates every aspect of your life? From 1984 to The Handmaid's Tale, from Children of Men to Bioshock, the dystopian imagination has been a vital and gripping cautionary force.

You are being watched. Your every movement is being tracked, your every word recorded. Your spouse may be an informer, your children may be listening at your door, your best friend may be a member of the secret police. You are alone among thousands, among great crowds of the brainwashed, the well-behaved, the loyal. Productivity has never been higher, the media blares, and the army is ever triumphant. One wrong move, one slip-up, and you may find yourself disappeared -- swallowed up by a monstrous bureaucracy, vanished into a shadowy labyrinth of interrogation chambers, show trials, and secret prisons from which no one ever escapes. Welcome to the world of the dystopia, a world of government and society gone horribly, nightmarishly wrong.

When the government wields its power against its own people, every citizen becomes an enemy of the state. Will you fight the system, or be ground to dust beneath the boot of tyranny?

Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

BROKEN STARS: CONTEMPORARY CHI

BROKEN STARS: CONTEMPORARY CHI

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LOCUS AWARD FINALIST FOR BEST ANTHOLOGY

Sixteen short stories from China's groundbreaking science fiction writers, edited and translated by award-winning author Ken Liu.

In Hugo award-winner Liu Cixin's 'Moonlight, ' a man is contacted by three future versions of himself, each trying to save their world from destruction. Hao Jingfang's 'The New Year Train' sees 1,500 passengers go missing on a train that vanishes into space. In the title story by Tang Fei, a young girl is shown how the stars can reveal the future.

In addition, three essays explore the history and rise of Chinese science fiction publishing, contemporary Chinese fandom, and how the growing interest in Chinese SF has impacted writers who had long laboured in obscurity.

By turns dazzling, melancholy and thought-provoking, Broken Stars celebrates the vibrancy and diversity of SFF voices emerging from China.

Stories include:
"Goodnight, Melancholy" by Xia Jia
"The Snow of Jinyang" by Zhang Ran
"Broken Stars" by Tang Fei
"Submarines" by Han Song
"Salinger and the Koreans" by Han Song
"Under a Dangling Sky" by Cheng Jingbo
"What Has Passed Shall in Kinder Light Appear" by Baoshu
"The New Year Train" by Hao Jingfang
"The Robot Who Liked to Tell Tall Tales" by Fei Dao
"Moonlight" by Liu Cixin
"The Restaurant at the End of the Universe: Laba Porridge by Anna Wu
"The First Emperor's Games" by Ma Boyong
"Reflection" by Gu Shi
"The Brain Box" by Regina Kanyu Wang
"Coming of the Light" by Chen Qiufan
"A History of Future Illnesses" by Chen Qiufan

Essays:
"A Brief Introduction to Chinese Science Fiction and Fandom," by Regina Kanyu Wang,
"A New Continent for China Scholars: Chinese Science Fiction Studies" by Mingwei Song
"Science Fiction: Embarrassing No More" by Fei Dao

For more Chinese SF in translation, check out Invisible Planets.

DARK FANTASTIC: RACE AND THE I

DARK FANTASTIC: RACE AND THE I

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Finalist, Creative Nonfiction IGNYTE Award, given by FIYACON for BIPOC+ in Speculative Fiction

Finalist, 2020 World Fantasy Awards

Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination

Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children's publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter.

The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW's The Vampire Diaries, Rue from Suzanne Collins's The Hunger Games, Gwen from the BBC's Merlin, and Angelina Johnson from J.K. Rowling's Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world.

In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, "we dark girls deserve more, because we are more."