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Sci Fi & Fantasy Anthologies
Hugo and Locus Award Finalist
An Economist Best Book of the Year
A Milwaukee Journal Sentinel Best Book of 2018
"An amazing and engrossing history...Insightful, entertaining, and compulsively readable." -- George R. R. Martin
Astounding is the landmark account of the extraordinary partnership between four controversial writers--John W. Campbell, Isaac Asimov, Robert A. Heinlein, and L. Ron Hubbard--who set off a revolution in science fiction and forever changed our world.
This remarkable cultural narrative centers on the figure of John W. Campbell, Jr., whom Asimov called "the most powerful force in science fiction ever." Campbell, who has never been the subject of a biography until now, was both a visionary author--he wrote the story that was later filmed as The Thing--and the editor of the groundbreaking magazine best known as Astounding Science Fiction, in which he discovered countless legendary writers and published classic works ranging from the I, Robot series to Dune. Over a period of more than thirty years, from the rise of the pulps to the debut of Star Trek, he dominated the genre, and his three closest collaborators reached unimaginable heights. Asimov became the most prolific author in American history; Heinlein emerged as the leading science fiction writer of his generation with the novels Starship Troopers and Stranger in a Strange Land; and Hubbard achieved lasting fame--and infamy--as the founder of the Church of Scientology.
Drawing on unexplored archives, thousands of unpublished letters, and dozens of interviews, Alec Nevala-Lee offers a riveting portrait of this circle of authors, their work, and their tumultuous private lives. With unprecedented scope, drama, and detail, Astounding describes how fan culture was born in the depths of the Great Depression; follows these four friends and rivals through World War II and the dawn of the atomic era; and honors such exceptional women as Doña Campbell and Leslyn Heinlein, whose pivotal roles in the history of the genre have gone largely unacknowledged. For the first time, it reveals the startling extent of Campbell's influence on the ideas that evolved into Scientology, which prompted Asimov to observe: "I knew Campbell and I knew Hubbard, and no movement can have two Messiahs." It looks unsparingly at the tragic final act that estranged the others from Campbell, bringing the golden age of science fiction to a close, and it illuminates how their complicated legacy continues to shape the imaginations of millions and our vision of the future itself.
Enthralling...A clarion call to enlarge American literary history." -- Washington Post
"Engrossing, well-researched... This sure-footed history addresses important issues, such as the lack of racial diversity and gender parity for much of the genre's history." -- Wall Street Journal
"A gift to science fiction fans everywhere." -- Sylvia Nasar, New York Times bestselling author of A Beautiful Mind
--Jon Atack, author of Let's Sell These People a Piece of Blue Sky: Hubbard, Dianetics and Scientology
Black From the Future: A Collection of Black Speculative Writing encompasses the broad spectrum of Black speculative writing, including science fiction, fantasy, magical realism, and Afrofuturism, all by Black women writers. Editors Stephanie Andrea Allen and Lauren Cherelle have gathered the voices of twenty emerging and established writers in speculative fiction and poetry; writers who've imagined the weird and the wondrous, the futuristic and the fantastical, the shadowy and the sublime.
Sixteen short stories and novellas from China's groundbreaking science fiction writers, edited and translated by award-winning author Ken Liu.
The Broken Stars anthology features works of hard science fiction, cyberpunk, science fantasy, and space opera, as well as genres with deeper ties to Chinese culture: alternate Chinese history, chuanyue time travel, satire with historical and contemporary allusions.
In Hugo Award-winner Liu Cixin's Moonlight, a man is contacted by three future versions of himself, each trying to save their world from destruction. Hao Jingfang's The New Year Train sees 1,500 passengers go missing on a train that vanishes into space. In the title story by Tang Fei, a young girl is shown how the stars can reveal the future.
In addition, three essays explore the history and rise of Chinese science fiction publishing, contemporary Chinese fandom, and how the growing interest in Chinese SF has impacted writers who had long laboured in obscurity.
By turns dazzling, melancholy and thought-provoking, Broken Stars celebrates the vibrancy and diversity of SFF voices emerging from China.
Stories include:
"Goodnight, Melancholy" by Xia Jia
"The Snow of Jinyang" by Zhang Ran
"Broken Stars" by Tang Fei
"Submarines" by Han Song
"Salinger and the Koreans" by Han Song
"Under a Dangling Sky" by Cheng Jingbo
"What Has Passed Shall in Kinder Light Appear" by Baoshu
"The New Year Train" by Hao Jingfang
"The Robot Who Liked to Tell Tall Tales" by Fei Dao
"Moonlight" by Liu Cixin
"The Restaurant at the End of the Universe: Laba Porridge by Anna Wu
"The First Emperor's Games" by Ma Boyong
"Reflection" by Gu Shi
"The Brain Box" by Regina Kanyu Wang
"Coming of the Light" by Chen Qiufan
"A History of Future Illnesses" by Chen Qiufan
Essays:
"A Brief Introduction to Chinese Science Fiction and Fandom," by Regina Kanyu Wang,
"A New Continent for China Scholars: Chinese Science Fiction Studies" by Mingwei Song
"Science Fiction: Embarrassing No More" by Fei Dao
For more Chinese SF in translation, check out Invisible Planets.
Cat's Cradle is Kurt Vonnegut's satirical commentary on modern man and his madness. An apocalyptic tale of this planet's ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat's Cradle is one of the twentieth century's most important works--and Vonnegut at his very best. "[Vonnegut is] an unimitative and inimitable social satirist."--Harper's Magazine
"Our finest black-humorist . . . We laugh in self-defense."--Atlantic Monthly
Finalist, Creative Nonfiction IGNYTE Award, given by FIYACON for BIPOC+ in Speculative Fiction
Finalist, 2020 World Fantasy AwardsReveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children's publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW's The Vampire Diaries, Rue from Suzanne Collins's The Hunger Games, Gwen from the BBC's Merlin, and Angelina Johnson from J.K. Rowling's Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, "we dark girls deserve more, because we are more."
"No series since George R.R. Martin's A Song of Ice and Fire has quite captured both palace intrigue and the way that tribal infighting and war hurt the vulnerable the most." --Paste Magazine
The final chapter in the bestselling, critically acclaimed Daevabad Trilogy, in which a con-woman and an idealistic djinn prince join forces to save a magical kingdom from a devastating civil war.
Daevabad has fallen.
After a brutal conquest stripped the city of its magic, Nahid leader Banu Manizheh and her resurrected commander, Dara, must try to repair their fraying alliance and stabilize a fractious, warring people.
But the bloodletting and loss of his beloved Nahri have unleashed the worst demons of Dara's dark past. To vanquish them, he must face some ugly truths about his history and put himself at the mercy of those he once considered enemies.
Having narrowly escaped their murderous families and Daevabad's deadly politics, Nahri and Ali, now safe in Cairo, face difficult choices of their own. While Nahri finds peace in the old rhythms and familiar comforts of her human home, she is haunted by the knowledge that the loved ones she left behind and the people who considered her a savior are at the mercy of a new tyrant. Ali, too, cannot help but look back, and is determined to return to rescue his city and the family that remains. Seeking support in his mother's homeland, he discovers that his connection to the marid goes far deeper than expected and threatens not only his relationship with Nahri, but his very faith.
As peace grows more elusive and old players return, Nahri, Ali, and Dara come to understand that in order to remake the world, they may need to fight those they once loved . . . and take a stand for those they once hurt.
--Library Journal (starred review)