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YA Book Club POSTPONED! Due to unforeseen circumstances, we have had to cancel this Saturday's YA book club meeting. We will reschedule and post it here and on our social media as soon as we can.
Poetry
Selected poems from a Nobel laureate
Seamus Heaney had the idea to make a personal selection of poems from across the entire arc of his writing life, a collection small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this himself, but now, finally, the project has been returned to, resulting in an intimate gathering of poems chosen and introduced by the Heaney family. No other selection of Heaney's poems exists that has such a broad range, drawing from the first to the last of his prizewinning collections. In 100 Poems, readers will enjoy the most loved and celebrated poems, and will discover new favorites, from The Cure at Troy to Death of a Naturalist. It is a singular and welcoming anthology, reaching far and wide, for now and for years to come.
NPR Best Books of 2019
Chicago Tribune Best Books of 2019
Chicago Review of Books Best Poetry Book of 2019
O Magazine Best Books by Women of Summer 2019
The Millions Must-Read Poetry of June 2019
LitHub Most Anticipated Reads of Summer 2019
The Chicago Race Riot of 1919, the most intense of the riots comprising the nation's Red Summer, has shaped the last century but is not widely discussed. In 1919, award-winning poet Eve L. Ewing explores the story of this event--which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries--through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present.
From the two-term Poet Laureate of the United States Billy Collins comes his first volume of new and selected poems in twelve years. Aimless Love combines fifty new poems with generous selections from his four most recent books--Nine Horses, The Trouble with Poetry, Ballistics, and Horoscopes for the Dead. Collins's unmistakable voice, which brings together plain speech with imaginative surprise, is clearly heard on every page, reminding us how he has managed to enrich the tapestry of contemporary poetry and greatly expand its audience. His work is featured in top literary magazines such as The New Yorker, Poetry, and The Atlantic, and he sells out reading venues all across the country. Appearing regularly in The Best American Poetry series, his poems appeal to readers and live audiences far and wide and have been translated into more than a dozen languages. By turns playful, ironic, and serious, Collins's poetry captures the nuances of everyday life while leading the reader into zones of inspired wonder. In the poet's own words, he hopes that his poems "begin in Kansas and end in Oz." Touching on the themes of love, loss, joy, and poetry itself, these poems showcase the best work of this "poet of plenitude, irony, and Augustan grace" (The New Yorker). Envoy Go, little book,
out of this house and into the world, carriage made of paper rolling toward town
bearing a single passenger
beyond the reach of this jittery pen
and far from the desk and the nosy gooseneck lamp. It is time to decamp,
put on a jacket and venture outside,
time to be regarded by other eyes,
bound to be held in foreign hands. So off you go, infants of the brain,
with a wave and some bits of fatherly advice: stay out as late as you like,
don't bother to call or write,
and talk to as many strangers as you can. Praise for Aimless Love
"[Billy Collins] is able, with precious few words, to make me cry. Or laugh out loud. He is a remarkable artist. To have such power in such an abbreviated form is deeply inspiring."--J. J. Abrams, The New York Times Book Review
"His work is poignant, straightforward, usually funny and imaginative, also nuanced and surprising. It bears repeated reading and reading aloud."--The Plain Dealer "Collins has earned almost rock-star status. . . . He knows how to write layered, subtly witty poems that anyone can understand and appreciate--even those who don't normally like poetry. . . . The Collins in these pages is distinctive, evocative, and knows how to make the genre fresh and relevant."--The Christian Science Monitor "Collins's new poems contain everything you've come to expect from a Billy Collins poem. They stand solidly on even ground, chiseled and unbreakable. Their phrasing is elegant, the humor is alive, and the speaker continues to stroll at his own pace through the plainness of American life."--The Daily Beast "[Collins's] poetry presents simple observations, which create a shared experience between Collins and his readers, while further revealing how he takes life's everyday humdrum experiences and makes them vibrant."--The Times Leader
Mary Oliver's most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside.
"American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." -- Stanley Kunitz
"These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." -- May Swenson
In this stunning collection, Joy Harjo finds blessings in the abundance of her homeland and confronts the site where the Mvskoke people, including her own ancestors, were forcibly displaced. From her memory of her mother's death, to her beginnings in the Native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to create a space for renewed beginnings.
In his bold second book, Ben Lerner molds philosophical insight, political outrage, and personal experience into a devastating critique of mass society. Angle of Yaw investigates the fate of public space, public speech, and how the technologies of viewing--aerial photography in particular--feed our culture an image of itself. And it's a spectacular view.
The man observes the action on the field with the tiny television he brought to the stadium. He is topless, painted gold, bewigged. His exaggerated foam index finger indicates the giant screen upon which his own image is now displayed, a model of fanaticism. He watches the image of his watching the image on his portable TV on his portable TV. He suddenly stands with arms upraised and initiates the wave that will consume him.
Haunted by our current "war on terror," much of the book was written while Lerner was living in Madrid (at the time of the Atocha bombings and their political aftermath), as the author steeped himself in the history of Franco and fascism. Regardless of when or where it was written, Angle of Yaw will further establish Ben Lerner as one of our most intriguing and least predictable poets.
Sylvia Plath's famous collection, as she intended it.
When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript--including handwritten notes--and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem Ariel, which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.
Auguries of Innocence is the first book of poetry from Patti Smith in more than a decade. It marks a major accomplishment from a poet and performer who has inscribed her vision of our world in powerful anthems, ballads, and lyrics. In this intimate and searing collection of poems, Smith joins in that great tradition of troubadours, journeymen, wordsmiths, and artists who respond to the world around them in fresh and original language. Her influences are eclectic and striking: Blake, Rimbaud, Picasso, Arbus, and Johnny Appleseed. Smith is an American original; her poems are oracles for our times.
National Book Critics Circle Award Finalist Anne Carson is, for me, the most exciting poet writing in English today. --Michael Ondaatje This book is amazing--I haven't discovered any writing in years so marvelously disturbing. --Alice Munro A profound love story . . . sensuous and funny, poignant, musical and tender. --The New York Times Book Review A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday. --The Village Voice
WINNER OF THE NOBEL PRIZE IN LITERATURE
Averno is a small crater lake in southern Italy, regarded by the ancient Romans as the entrance to the underworld. That place gives its name to Louise Glück's tenth collection: in a landscape turned irretrievably to winter, it is a gate or passageway that invites traffic between worlds while at the same time resisting their reconciliation. Averno is an extended lamentation, its long, restless poems no less spellbinding for being without conventional resoltution or consolation, no less ravishing for being savage, grief-stricken. What Averno provides is not a map to a point of arrival or departure, but a diagram of where we are, the harrowing, enduring present. Averno is a 2006 National Book Award Finalist for Poetry.
LONGLISTED FOR THE 2018 NATIONAL BOOK AWARD
Publishers Weekly Best Poetry Book of 2018
Forrest Gander's first book of poems since his Pulitzer finalist Core Samples from the World: a startling look through loss, grief, and regret into the exquisite nature of intimacy
SONG OF BATTLE AND KINGS
Beowulf is one of the earliest extant poems in a modern European language, composed in England before the Norman Conquest. As a social document this great epic poem is invaluable--reflecting a feudal world of heroes and monsters, blood and victory, life and death. As a work of art, it is unique. Beowulf rings with beauty, power, and artistry that have kept it alive for a thousand years. The noble simplicity of Beowulf's anonymous Anglo-Saxon singer is recaptured in this vivid translation by Burton Raffel.
Translated and with an Introduction by Burton Raffel
and an Afterword by Roberta Frank
Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the beginning of the twenty-first century, Nobel laureate Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface. Drawn to what he has called the "four-squareness of the utterance" in Beowulf and its immense emotional credibility, Heaney gives these epic qualities new and convincing reality for the contemporary reader.
Picked for Kirkus Reviews' Best Fiction in Translation of 2020. Named a Book of the Year by NPR, Vox, and The New Statesman. Picked for Loyalty Books' Holiday List.
A new, feminist translation of Beowulf by the author of the much-buzzed-about novel The Mere Wife Brash and belligerent, lunatic and invigorating, with passages of sublime poetry punctuated by obscenities and social-media shorthand. --Ruth Franklin, The New Yorker The author of the crazy-cool Beowulf-inspired novel The Mere Wife tackles the Old English epic poem with a fierce new feminist translation that radically recontextualizes the tale. --Barbara VanDenburgh, USA Today Nearly twenty years after Seamus Heaney's translation of Beowulf--and fifty years after the translation that continues to torment high-school students around the world--there is a radical new verse translation of the epic poem by Maria Dahvana Headley, which brings to light elements that have never before been translated into English, recontextualizing the binary narrative of monsters and heroes into a tale in which the two categories often entwine, justice is rarely served, and dragons live among us. A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. The familiar elements of the epic poem are seen with a novelist's eye toward gender, genre, and history--Beowulf has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story. While crafting her contemporary adaptation of Beowulf, Headley unearthed significant shifts lost over centuries of translation.
New York Times bestseller
"A thrill . . . Beowulf was Tolkien's lodestar. Everything he did led up to or away from it." --New Yorker J.R.R. Tolkien completed his translation of Beowulf in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition includes an illuminating written commentary on the poem by the translator himself, drawn from a series of lectures he gave at Oxford in the 1930s. His creative attention to detail in these lectures gives rise to a sense of the immediacy and clarity of his vision. It is as if Tolkien entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beach their ship on the coast of Denmark, listening to Beowulf's rising anger at Unferth's taunting, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot. "Essential for students of the Old English poem--and the ideal gift for devotees of the One Ring." --Kirkus
Donika Kelly's fierce debut collection, longlisted for the 2016 National Book Award and winner of the 2015 Cave Canem Poetry Prize
I thought myself lion and serpent. Thought
myself body enough for two, for we.
Found comfort in never being lonely.
What burst from my back, from my bones, what lived
along the ridge from crown to crown, from mane
to forked tongue beneath the skin. What clamor
we made in the birthing. What hiss and rumble
at the splitting, at the horns and beard,
at the glottal bleat. What bridges our back.
What strong neck, what bright eye. What menagerie
are we. What we've made of ourselves.
--from "Love Poem: Chimera"
Across this remarkable first book are encounters with animals, legendary beasts, and mythological monsters--half human and half something else. Donika Kelly's Bestiary is a catalogue of creatures--from the whale and ostrich to the pegasus and chimera to the centaur and griffin. Among them too are poems of love, self-discovery, and travel, from "Out West" to "Back East." Lurking in the middle of this powerful and multifaceted collection is a wrenching sequence that wonders just who or what is the real monster inside this life of survival and reflection. Selected and with an introduction by the National Book Award winner Nikky Finney, Bestiary questions what makes us human, what makes us whole.
Winner of the 2020 Minnesota Book Award in Poetry Against the backdrop of the war on drugs and the 1992 Los Angeles Riots, a Korean girl comes of age in her parents' bodega in the Queensbridge projects, offering a singular perspective on our nation of immigrants and the tensions pulsing in the margins where they live and work. In Su Hwang's rich lyrical and narrative poetics, the bodega and its surrounding neighborhoods are cast not as mere setting, but as an ecosystem of human interactions where a dollar passed from one stranger to another is an act of peaceful revolution, and desperate acts of violence are "the price / of doing business in the projects where we / were trapped inside human cages--binding us / in a strange circus where atoms of haves / and have-nots always forcefully collide." These poems also reveal stark contrasts in the domestic lives of immigrants, as the speaker's own family must navigate the many personal, cultural, and generational chasms that arise from having to assume a hyphenated identity--lending a voice to the traumatic toll invisibility, assimilation, and sacrifice take on so many pursuing the American Dream. "We each suffer alone in / tandem," Hwang declares, but in Bodega, she has written an antidote to this solitary hurt--an incisive poetic debut that acknowledges and gives shape to anguish as much as it cherishes human life, suggesting frameworks for how we might collectively move forward with awareness and compassion.
An iconic poetry collection from American luminary Leonard Cohen, containing some of his most significant verse
Leonard Cohen wrote the poems in Book of Longing--his first book of poetry in more than twenty years after 1984's Book of Mercy--during his five-year stay at a Zen monastery on Southern California's Mount Baldy, and in Los Angeles, Montreal, and Mumbai. This dazzling collection is enhanced by the author's playful and provocative drawings, which interact in exciting, unexpected ways on the page with poetry that is timeless, meditative, and often darkly humorous.
An international sensation, Book of Longing contains all the elements that have brought Cohen's artistry with language worldwide recognition.
A best-selling volume of Pablo Neruda's poetry in an English-Spanish edition.
Pablo Neruda is one of the world's most popular poets, and in The Book of Questions, Neruda refuses to be corralled by the rational mind. Composed of 316 unanswerable questions, these poems integrate the wonder of a child with the experiences of an adult. By turns Orphic, comic, surreal, and poignant, Neruda's questions lead the reader beyond reason into realms of intuition and pure imagination.
This complete translation of Pablo Neruda's El libro de las preguntas (The Book of Questions) features Neruda's original Spanish-language poems alongside William O'Daly's English translations. In his introduction O'Daly, who has translated eight volumes of Pablo Neruda's poetry, writes, These poems, more so than any of Neruda's other work, remind us that living in a state of visionary surrender to the elemental questions, free of the quiet desperation of clinging too tightly to answers, may be our greatest act of faith.
When Neruda died in 1973, The Book of Questions was one of eight unpublished poetry manuscripts that lay on his desk. In it, Neruda achieves a deeper vulnerability and vision than in his earlier work-and this unique book is a testament to everything that made Neruda an artist.
Neruda's questions evoke pictures that make sense on a visual level before the reader can grasp them on a literal one. The effect is mildly dazzling [and] O'Daly's translations achieve a tone that is both meditative and spontaneous. --Publishers Weekly
Pablo Neruda, born in southern Chile, led a life charged with poetic and political activity. He was the recipient of the Nobel Prize in Literature, the International Peace Prize, and served as Chile's ambassador to several countries, including Burma, France, and Argentina. He died in 1973.
II.
Tell me, is the rose naked
or is that her only dress?
Why do trees conceal
the splendor of their roots?
Who hears the regrets
of the thieving automobile?
Is there anything in the world sadder
than a train standing in the rain?
XIV.
And what did the rubies say
standing before the juice of pomegranates?
Why doesn't Thursday talk itself
into coming after Friday?
Who shouted with glee
when the color blue was born?
Why does the earth grieve
when the violets appear?
A Penguin Classic In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook. Rich and diverse, The Canterbury Tales offer us an unrivalled glimpse into the life and mind of medieval England. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Winner, 2016 Kingsley Tufts Poetry Prize
Finalist, 2015 National Book Award, poetry category
Finalist, 2015 NAACP Image Awards, poetry category Catalog of Unabashed Gratitude is a sustained meditation on that which goes away--loved ones, the seasons, the earth as we know it--that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all--death, sorrow, loss--is converted into what might, with patience, nourish us.
This volume, Wright's eleventh book of poetry, is a vivid, contemplative, far-reaching, yet wholly plain-spoken collection of moments appearing as lenses through which to see the world beyond our moments. Chickamauga is also a virtuoso exploration of the power of concision in lyric poetry--a testament to the flexible music of the long line Wright has made his own. As a reviewer in Library Journal noted: "Wright is one of those rare and gifted poets who can turn thought into music. Following his self-prescribed regimen of purgatio, illuminato, and contemplatio, Wright spins one lovely lyric after another on such elemental subjects as sky, trees, birds, months, and seasons. But the real subject is the thinking process itself and the mysterious alchemy of language: 'The world is a language we never quite understand.'"
* Finalist for the National Book Award in Poetry *
* Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award *
ONE OF THE BEST BOOKS OF THE YEAR:
The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . .
Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named post-race society.
"Citizen Illegal is right on time, bringing both empathy and searing critique to the fore as a nation debates the very humanity of the people who built it." --Eve Ewing, author of Electric Arches
In this stunning debut, poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch.
José Olivarez is the son of Mexican immigrants. He is a co-host of the podcast, The Poetry Gods. A winner of fellowships from Poets House, The Bronx Council On The Arts, The Poetry Foundation, and The Conversation Literary Festival, his work has been published in The BreakBeat Poets and elsewhere. He is the Marketing Manager at Young Chicago Authors.
"First Fig" from A Few Figs from Thistles (1920)
The 1956 Collected Poems of Edna St. Vincent Millay finds new life in this beautiful edition from Harper Perennial Modern Classics. Alongside Robert Frost, T.S. Eliot, Marianne Moore, and E. E. Cummings, Millay remains among the most celebrated poets of the early twentieth century for her uniquely lyrical explorations of love, individuality, and artistic expression. This invaluable compendium of her work is not only an essential addition to any collection of the world's most moving and memorable poetry but an unprecedented look into the life of Millay. An extensive P.S. section includes personal letters, never-before-seen photographs, information about Millay's homestead at Steepletop, and an original essay by leading Millay scholar Holly Peppe.
Since its initial publication in 1953, this book has become the definitive edition of the poet's work. Thomas wrote "Prologue" addressed to "my readers, the strangers" -- an introduction in verse that was the last poem he would ever write. Also included are classics such as "And Death Shall Have No Dominion," "Do Not Go Gentle into that Good Night," and "Fern Hill" that have influenced generations of artists from Bob Dylan (who changed his last name from Zimmerman in honor of the poet), to John Lennon (The Beatles included Thomas' portrait on the cover of Sgt. Pepper's Lonely Hearts Club Band); this collection even appears in the film adaptation of Cormac McCarthy's The Road when it is retrieved from the rubble of a bookshelf.
And death shall have no dominion.
Dead men naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and their clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again,
Though lovers be lost love shall not:
And death shall have no dominion.
(From "And Death Shall Have No Dominion")
With an Introduction by Antonia Till.
William Wordsworth (1771-1850) is the foremost of the English Romantic poets. He was much influenced by the events of the French Revolution in his youth, and he deliberately broke away from the artificial diction of the Augustan and neo-classical tradition of the eighteenth century. He sought to write in the language of ordinary men and women, of ordinary thoughts, sights and sounds, and his early poetry represents this fresh approach to his art.
Wordsworth spent most of his adult life in the Lake District with his sister Dorothy and his wife Mary, by whom he had four children. His remarkable autobiographical poem 'The Prelude' was completed in 1805, but was not published until after his death, and it is included in this full edition of Wordsworth's poetry.
and an Afterword by April Bernard
You would leave me eternally.
You smiled at my fears, saying
I could not stay in your lap forever"
This collection also includes the never-before-published poem "Amazement Awaits," commissioned for the 2008 Olympic Games: "We are here at the portal of the world we had wished for
At the lintel of the world we most need.
We are here roaring and singing.
We prove that we can not only make peace, we can bring it with us." Timeless and prescient, this definitive compendium will warm the hearts of Maya Angelou's most ardent admirers as it introduces new readers to the legendary poet, activist, and teacher--a phenomenal woman for the ages.
In these poems, the joys and struggles of the everyday are played against the grinding politics of being human. Beginning in a hotel room in the dark of a distant city, we travel through history and follow the memory of the Trail of Tears from the bend in the Tallapoosa River to a place near the Arkansas River. Stomp dance songs, blues, and jazz ballads echo throughout. Lost ancestors are recalled. Resilient songs are born, even as they grieve the loss of their country. Called a magician and a master (San Francisco Chronicle), Joy Harjo is at the top of her form in Conflict Resolution for Holy Beings.
Finalist for the Griffin Poetry Prize
Finalist for the National Book Award - Finalist for the PEN/Jean Stein Award - Finalist for the National Book Critics Circle Award - Winner of the Los Angeles Times Book Prize - Winner of the Anisfield-Wolf Book Award - Winner of the National Jewish Book Award - Finalist for the Kingsley Tufts Poetry Award - Finalist for the T. S. Eliot Prize - Finalist for the Forward Prize for Best Collection
Ilya Kaminsky's astonishing parable in poems asks us, What is silence?